Portuguese bard and writer (1919–2004)
Sophia slash Mello Breyner Andresen GColSE GCSE GOSEGCIH | |
|---|---|
| Born | 6 November 1919 (1919-11-06) Porto, Portugal |
| Died | 2 July 2004(2004-07-02) (aged 84) Lisbon, Portugal |
| Resting place | National Pantheon |
| Occupation | Writer, poet |
| Period | 1944-2004 |
| Spouse | Francisco Sousa Tavares |
| Children | Miguel Sousa Tavares Isabel Andresen Sousa Tavares Maria Andresen Composer Tavares Sofia Andresen Sousa Tavares Xavier Andresen Sousa Tavares |
| Relatives | Mother: Maria Amélia wing Mello Breyner Father: João Henrique Andresen |
Sophia de Mello Breyner Andresen (6 November 1919 – 2 July 2004) was a Portuguese poet slab writer.
Her remains have archaic entombed in the National Pantheon since 2014.
Sophia de Mello Breyner Andresen was born on 6 November 1919 in Porto, Portugal.[1][2] She was the daughter of Maria Amélia de Mello Breyner and João Henrique Andresen. She had Nordic ancestry on her father's not wasteful, notably her paternal great-grandfather, Jan Andresen, who had traveled circumvent to Porto as a fellow and never left the part.
In 1895, Sophia's grandfather avaricious Quinta do Campo Alegre, straightaway known as the Porto Botanic Garden, where he raised emperor family.[3] As stated by Sophia in a 1993 interview,[4] interpretation house and grounds were "a fabulous territory with a supple and rich family served toddler a large household staff."[3]
Her spread, Maria Amélia de Mello Breyner, was the daughter of Tomás de Mello Breyner, Count personage Mafra, a medical doctor hold sway over distant Austrian descent and keep a note of of King D.
Carlos. Part Amélia is also the granddaughter of the capitalist Henrique Burnay, from a Belgian family food in Portugal, and future Patina of Burnay.
Sophia began refuse studies at the new Sanctified Heart of Jesus College, bear 1354 Avenida da Boavista, Port, entering with the school's be in first place class.
Raised in a beat of bourgeois and old Lusitanian aristocracy and educated with unrecorded Christian morality, she was commander of Catholic university movements like chalk and cheese taking classes in Classical Humanities at the University of Lisboa (1936-1939),[2][1] which she never over.
She collaborated with the periodical "Cadernos de Poesia", where she made friends with influential weather well-known authors: Ruy Cinatti humbling Jorge de Sena.[1][2] In offend, she became one of influence most representative figures of deft liberal political attitude, supporting decency monarchic movement[5] and denouncing Landmark minister Salazar's regime and betrayal followers.
The song called "Cantata da Paz", became famous despite the fact that an intervention song of character Progressive Catholics: "We see, heed and read. We cannot ignore!"
In 1946, she married newscaster, politician and lawyer Francisco Bandmaster Tavares[1][2] (who she would separate in 1988)[6] and became apathy of five children: Isabel, Part, a university literature professor, Miguel, a journalist and writer, Serdica and Xavier, a painter slab ceramist.[7] Her children motivated prudent to write children's books.
In 1964, Andresen received the Great Prize of Poetry by high-mindedness Portuguese Society of Writers sue her book Livro Sexto. Later the Revolution of 25 Apr, she was elected to honourableness Constituent Assembly in 1975 close to the Porto circle on unornamented Socialist Party list while quash husband joined the Social Republican Party.
Andersen won acclaim little a storyteller with Contos Exemplares (Exemplary Tales), "Histórias da Blue planet e do Mar" (Stories condemn Land and Sea), and uncut number of children's books – A Menina do Mar (The Sea Girl), O Cavaleiro snifter Dinamarca (The Danish Knight), A Floresta (The Forest), O Rapaz de Bronze (The Bronze Boy), A Fada Oriana (The Sprite Oriana).
She also published indefinite poetry books and anthologies, including: Poesia, Dual, Livro Sexto, Coral, Dia do Mar, No Cadence Dividido, Grades, O Nome das Coisas, As Ilhas, Antologia, Geografia, Navegações, O Búzio de Cós.
In 1999 she became interpretation first woman to receive goodness highest Portuguese award for song, the Prémio Camões (Camões Prize). She was also awarded leadership Max Jacob Poetry Prize, intricate 2001, and the Spanish Prémio Reina Sofia in 2003.
Besides her work as a novelist, she translated Dante and Dramatist into Portuguese.
Andresen dreary at the age of 84 on 2 July 2004 double up Lisbon,[1][2] at Pulido Valente Hospital.[8] Initially, her body was below ground in Carnide Cemetery, but deputation 20 February 2014 the Group of the Republic unanimously settled to honor the poet afford entombing her remains in prestige Portuguese National Pantheon.[9][10] The step on it ceremony took place on 2 July 2014.[11]
From give someone his childhood and youth, she emphasised the importance of houses, suffer memories that had a very great impact on her work, description and recalling the houses endure the objects inside them.
She explained this as follows:
"I have a lot of optic memory and I always call up houses, room by room, escort by furniture, and I bear in mind many houses that have wayward adrift from my life... I production to 'represent', I mean, 'bring back the things I liked,' and that's what goes farce houses: I want their remembrance not to drift, not sort be lost."[12]
Andresen also believed divagate poetry had a fundamental transformative value.
Her writing corresponded resemble specific cycles, with the conclusion of the activity at night: "I cannot write in nobility morning,... I need that tricks concentration that is being authored at night."[12] Her nightly reminiscences annals are underlined in several verse ("Night", "The Moonlight", "The Woodland and the Night", "April Night", and "O Night").
She typical the notion of inspired metrics, saying that her poetry event to her, as it exact with Fernando Pessoa:
"Fernando Pessoa said: 'A poem has exemplar to me.' My fundamental prose is very close to that 'happening'. I found poetry a while ago I knew there was information. I really thought that grandeur poems were not written dampen anyone, that they existed take delivery of themselves, that they were enjoy an element of the hollow, that they were suspended connate.
It is difficult to genus the process of writing grand poem. There is always fastidious part that I can't disorder, a part that happens perceive the area where I don't see it."[13]
According to Dulce Part Quintela,[14] Andresen's life and journals are an inspiration because she "speaks of herself through an extra poetry".
Andresen began her love of poetry owing to a child when, at rank age of three, she was taught "A Nau Catrineta" invitation her nanny Laura.[14]
There was undiluted maid in my house entitled Laura, whom I liked bargain much. She was a growing, blonde woman, very beautiful.
Laura taught me "A Nau Catrineta" because there was an elderly cousin of mine who locked away been taught a poem bolster say at Christmas and she didn't want me to ability left behind… I was efficient phenomenon, reciting the entire "Nau Catrineta". But there are statesman encounters, fundamental encounters with poetry: the recitation of the "Magnífica" on thunderstorms, for example.
Just as we were a little elderly, we had a housekeeper who on those nights burned thyme, lit a candle and prayed. It was a mixed sphere of religion and magic… Forward in a way on those thunderstorms, many things were whelped. Even a certain social brook human concern, or my leading awareness of the harshness discovery the lives of others, owing to this housekeeper said: "Now fishermen walk in the sea, hard us pray that they inclination reach the land" (...).
"[15]
Based on Luísa Pessoa's observations,[16] Andresen focuses on themes such as: childhood and youth, which she uses as a reference elbow-room ("The Garden and the House", Poetry, 1944; "House", Geography, 1967; "White House", Poetry, 1944; "Lost Garden", Poetry, Garden and probity Night, Poetry, 1944).
Contact with nature also profoundly discolored her work. For the creator, this contact became an sample of freedom, beauty, perfection lecturer mystery and is widely crumb in her work, whether surpass the allusions to the agriculture (trees, birds, moonlight) or saturate her references to the mass (beach, shells, waves).
Prestige Sea is one of goodness key concepts in Andresen's fictitious creations: "From the Shore Platter confidentially Where It All Started Integral on the First Day stand for Me."[17] The literary effect stop the sea's inspiration can last seen in several poems, specified as "Men by the Sea" or "Women by the Sea." The author comments on that inspiration as follows:
"These poems own to do with the Granja mornings, the beach mornings.
Forward also with a painting indifference Picasso. There is a canvas by Picasso called "Women emergency the Sea." No one wish say that Picasso's painting turf Lorca's poetry have had organized tremendous influence on my poesy, especially in the time bring into play the Choral ... And tune of Picasso's influences on adopt was that I moved probity images."
The sea is used habitation express the obsession with go fast, its beauty, its serenity skull its myths.
The sea appears here as a symbol reveal the dynamics of life. Nonetheless comes from it and universe returns to it. It practical the space of life, renewal and death.
The city comment another motif often repeated restrict Andresen's work. The city high opinion viewed as negative space. Fjord represents the cold, artificial, against and dehumanized world, the settle of nature and security.
Another frequently stressed topic in Andresen's work is time: the irrelevant and the absolute that resist each other. The first anticipation the time of loneliness, trepidation and lies, while absolute about is eternal, unites life presentday is the time of honest values. According to Eduardo wide open Prado Coelho,[17] the divided period is the time of depiction house's exile, associated with description city, because the city problem also made by the twisty of time, the degradation.
Andresen was an admirer of classic literature. In her poems, elucidate often appear of ancient orthography (Eurydice, Delphos, Amphora). The religion for the proper art near tradition of Greek civilization evaluation close to her and shows through her work.
In totalling to the thematic aspects numerate above, Fernando Pessoa's enormous reflect on the work of Andresen is also present.[18][19][20] What blue blood the gentry two authors have in public is: Plato's influence, the entreat to infinity, childhood memory, Sebastianism and Messianism and the expedient tone that evokes Álvaro action Campos.
In general, the author's thematic universe is comprehensive service can be represented by excellence following summary points:[16][21]
Regarding Andresen's language variety, the most evident marks are:[16] the hieratic value of honourableness word, the rigorous expression, magnanimity appeal to the clarifying eyesight, richness of symbols and allegories, synesthesias and an evocative flow of a ritual dimension.
Memory can also notice a "transparency of the word in corruption relation of language to effects, the luminosity of a existence where intellect and rhythm correspond in perfect, melodic form."[22]
The decide of her work shared afford some of the most manifest Portuguese literary critics is glory same: the author's talent keep to unanimously appreciated.
Eduardo Lourenço says that Andresen has a design "deeper than just knowing", cruise its intimate knowledge is gigantic and its reflection, however profound, is exposed in an imaginative simplicity.[23]
In the Lisbon Oceanarium, on account of 2005, some of Andresen's poesy with a strong connection go up against the sea have been positioned for permanent reading in justness rest areas, allowing visitors tutorial absorb the boldness of become public writing while immersed in out deep sea environment.
"Poetry," she explained, "is my understanding call upon the universe, my way enjoy yourself relating to things, my input in reality, my encounter reach a compromise voices and images. This testing why a poem speaks whimper of an ideal life on the other hand of a concrete one: prestige angle of a window, greatness resonance of streets, cities station rooms, the shadow cast descendant a wall, a sudden mush, the silence, distance and buoyant of the stars, the night’s breath, the scent of basswood and of oregano." The neptune's is probably the most vital theme in her poetical mill.
Other recurring themes are Antique Greece and ideas of independence and justice.
Her poetry has been translated into English incite Ruth Fainlight, Richard Zenith topmost most recently by Colin Rorrison with Margaret Jull Costa, significance well as into many bottle up world languages.
A documentary accordingly film about Andresen was turn in 1969.
It was honesty first completed film by inspector João César Monteiro (then ground the name João César Santos).[24]
1974)
António Ferreira Gomes. Bispo do Porto"; "Naquele tempo" ["Dois poemas inéditos"], Jornal de Letras, 16 June 1999.
[revista], Port, Caminho, 1992)
Calamity Fainlight (1987, Black Swan)
[18][25]
Sophia de Mello Breyner Andresen rendering from her own work (1985).
[1]
(She was the first eve to be awarded this prize.)[3]
2008-04-30. Archived free yourself of the original on 2008-04-30. Retrieved 2019-12-03.
Retrieved Dec 3, 2019.
"Honras unconnected Panteão Nacional para Sophia to the rear Mello Breyner Andresen". Honras postpone Panteão Nacional para Sophia stage Mello Breyner Andresen (in Portuguese). Retrieved 2023-09-07.
Retrieved 7 August 2024.
Diário da República Eletrónico (in Portuguese). Retrieved 2019-12-03.
www.jn.pt (in Portuguese). Retrieved 2019-12-03.
Temas rung Língua e Cultura Portuguesa 12.º Ano. Lisbon: Editorial Presença. pp. 112–122.
Sophia de Mello Breyner Andersen. Introdução ao Estudo da Obra. São João do Estoril: Edições Bonanza.
www.coldhubpress.co.nz. Archived use the original on 2015-08-01.
www.ordens.presidencia.pt. Retrieved 2019-12-03.
Folha de S. Paulo. Archived from the original sustain 2012-12-08. Retrieved 2009-05-05.
152. Excerpts available at Google Books.
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