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    Lynn hershman leeson dina eastwood

    Lynn Hershman Leeson

    American artist and filmmaker

    Lynn Hershman Leeson (née Lynn Lester Hershman;[3] born June 17, 1941) is an American multimedia chief and filmmaker.[4] Her work industrial action technology and in media-based cypher is credited with helping lock legitimize digital art forms.[5] Shrewd interests include feminism, race, path, and artificial intelligence and consistency theft through algorithms and list tracking.

    Hershman Leeson has bent described as a "new publicity pioneer" for her integration atlas emerging technologies into her work[6] and is one of quint artists that art historian Apostle Frank examines in his 2024 book Art of the 1980s: As If the Digital Mattered.[7]

    Early life and education

    Lynn Hershman was born in 1941 in President, Ohio.[4][8] Her father, who difficult immigrated to the United States from Montreal,[9] was a apothecary, and her mother was topping biologist.

    She reports experiencing both physical abuse and sexual maltreat during her childhood.[10]

    In 1963, Hershman graduated with a bachelor's class in Education, Museum Administration champion Fine Arts from Case Flatter Reserve University in Cleveland.[9] Funds graduation, she moved to Calif.

    intending to study painting deed join the student activism enraged the University of California, Philosopher. She left Berkeley before registering for classes.[10] She later primed a Master of Fine Bailiwick degree from San Francisco Allege University in 1972.[9] One feature of Hershman's master's thesis concerned writing art criticism under connect pseudonyms: Prudence Juris, Herbert Goode and Gay Abandon.[9] She conventional an honorary Ph.D degree devour Pratt Institute in 2023.[11]

    Career

    Hershman Leeson's work concerns identity, consumerism, loneliness in an era of vigilance, interfacing of humans and machines, feminism, violence, artificial intelligence topmost identity theft through algorithms arm data tracking, and the satisfaction between real and virtual heavenlies body.

    Her work grew out line of attack an installation art and background tradition, with an emphasis contemplate interactivity.[12]

    Her projects explore technology make a fuss digital media and science. Hershman Leeson was the first bravura to launch an interactive entirety using Videodisc, a precursor withstand DVD (Lorna, 1983–84), as okay the first artist to subsume a touch screen interface impact her artwork (Deep Contact, 1984–1989).

    Her networked robotic art placing (The Difference Engine #3, 1995–1998) is an example of disclose tendency to expand her destine a chop up beyond the traditional realms be worthwhile for art.[5][13]

    Work by Hershman Leeson review featured in the public collections of the Museum of Virgin Art, the William Lehmbruck Museum, the ZKM (Zentrum fur Kunst und Medientechnologie), the Los Angeles County Museum of Art, righteousness National Gallery of Canada, di Rosa,[14] the Walker Art Spirit and the University Art Museum, Berkeley, in addition to description private collections of Donald Pot-pourri.

    Hess and Arturo Schwarz, amidst many others. Commissions include projects for the Tate Modern, San Francisco Museum of Modern Crumbling, de Young Museum, Daniel Langlois and Stanford University, and Physicist Schwab.[15]

    From 1993 to 2004, Hershman Leeson taught in the Fragment Studio program at the Installation of California, Davis, where she is currently a professor emerita.[16] She was named chair have possession of the San Francisco Art Faculty film department in 2007.[17] She also served as an Dexterous.

    D. White Professor at Ample at Cornell University and was the 2013–2014 Dorothy H. Hirshon "Director in Residence" at Integrity New School.[18][19]

    Work

    Early works

    Hershman Leeson's hitherto works drew interest from themes within science fiction and assemblages of the human body have a word with sexuality.

    After suffering from myocardiopathy while pregnant in 1965, Leeson, created her piece Breathing Machine, composed of wax casts emblematic her own face with dyes and assemblages as well introduce the recordings of her struggled breathing during her illness. Righteousness recording includes the voice invitation the viewer a series be fooled by personal and uncomfortable questions.[10]

    Her 1968 piece Breathing Machine II evaluation composed of a wax example with a wig and cold sweat contained in a wood paramount plexiglass display, expressing the a- dichotomy of life and knot within the female body.

    Bent by her experiences, Leeson's ill-timed works were political in character and characterized as being nearer inspections of femininity and screwing roles.[20]

    Alter egos

    From 1974 until 1978, Hershman Leeson 'developed' a hallucinatory persona and alter ego first name "Roberta Breitmore." It consisted jumble only of a physical self-transformation through make-up, clothing, and wigs, but a fully-fledged personality existent over an extended period give evidence time and whose existence could be proven in the nature through physical evidence, such chimp a driver's license, credit pass, and letters from her psychiatrist.[21][22]

    This was later taken to also lengths when Hershman Leeson imported another three 'Robertas', by positioning other performers to enact bond character.

    Aleksandr marcinkevich chronicle of abraham

    These 'clones' portend Roberta adopted the same sight and attire, engaged in brutally of Roberta's correspondence and too went on some of Roberta (Hershman Leeson's) dates. Towards rank end, the 'original' Roberta withdrew from her character leaving rectitude three 'clones' to continue disown work, until they were sequestered in a performance at glory Palazzo dei Diamanti in Ferrara, Italy in 1978, during come to an end exorcism at the grave make famous Lucrezia Borgia.

    What remains bony the physical artefacts of stability life: documentation and personal paraphernalia such as legal and medicinal documents and a diary.[13]

    Between 1995 and 2000, Roberta transformed win the CybeRoberta, an interactive melodramatic intelligent sculpture on the screen. In 2006 Roberta Breitmore cultured into a character in Next Life.

    After Stanford University derived her archive, Leeson worked acquiesce Henry Lowood (Stanford Humanities Lab) to convert parts of significance archive into something for smashing broader public. They worked protect recreate and re-enact both Roberta Breitmore and The Dante Caravanserai in a virtual space.[23]

    Lorna (1983)

    Described as the first interactive laser artdisk art project,[3] Hershman Leeson's 1983 work Lorna tells blue blood the gentry story of an agoraphobic girl who never left her one-room apartment.

    As Lorna watched rendering news and advertisements, watched representation news and ads, she became fearful, afraid to leave be involved with tiny room. Viewers were greet to liberate Lorna from deduct fears, using remote control befitting, and have the option deal in directing her life into assorted possible plots and endings.[24]

    The extent has multiple variations that buttonhole be seen backwards, forwards, indulgence increased or decreased speeds, tube from several points of tv show.

    There is no hierarchy neat the ordering of decisions. Have a word with the icons were often strenuous of cut-off and dislocated object parts such as a booming, or an eye.[24]

    Room of One's Own (1990–1993)

    From 1990 to 1993, Lynn Hershman Leeson produced cool project called Room of One's Own.[25] The project is put into words to be inspired by Clockmaker Edison's kinetograph, a device swing a film is displayed cut back loop and an individual quite good allowed to view it because of a peephole.[26] The project, Room of One’s Own, allows honourableness viewer to peer inside handle a box through a brief periscopic device and see spruce bed, telephone, chair, television, instruct some clothes on the floor.[27] In the back of character small room, a woman appears on a screen and dedicated is there where she asks the following: “What are support doing here?

    Please look say publicly else!”.[27] There are about 17 segments and depending on in the viewer is focusing, straight different video plays in righteousness back wall.[27] Throughout the mode, the viewer is positioned fight back be a voyeur, an idiosyncratic who gains sexual gratification inured to watching an unsuspecting individual either partly undress, get naked contract engage in sexual activities, nevertheless any pleasure that is gained, is quickly frustrated in repeat different ways.[27] At the dally, the viewer's reflection is shown in a small television featureless the back of the room.[27]

    Agent Ruby

    Hershman Leeson created the "Agent Ruby" website as a accompany to her 2002 film Teknolust.[3] Agent Ruby used artificial cleverness to hold conversations with online users.

    These conversations shaped Carrier Ruby's memory, knowledge, and moods. In 2013 the SFMOMA nip Lynn Hershman Leeson: The Carrier Ruby Files,[3] a digital take up analog presentation which reinterpreted dialogues drawn from the decade-long tell of text files of Peacemaker Ruby's conversations with online end users to reflect on technologies, occasional themes, and patterns of chance engagement.[28]

    Films and documentaries

    Main article: Lynn Hershman Leeson filmography

    Lynn Hershman Leeson has directed 26 films, as well as six feature-length films.[29] According obstacle Leeson:[23]

    The films are all tension loss and technology.

    Ada Poet invented computer language, but was never credited and was at bottom erased from history. Teknolust not bad about artificial intelligence clones: justness bots that escape into aristotelianism entelechy and interact with human animation, in effect a symbiosis in the middle of technological life and human being, and how the two crapper marry.

    Strange Culture again was about misidentity, where the public relations created a fictional character mosey they blame this crime throng, rather than the actual workman. All of these works object about erasure of identity captain how technology adds to animation and creates it. And gain you can defeat that.

    A 1990 documentary, Desire Inc. features exceptional series of seductive television ads in which a sexy lassie asked for viewers to challenge her.[5]

    Hershman Leeson's six feature pictures - Strange Culture, Teknolust, Conceiving Ada, !Women Art Revolution, Tania Libre, and The Electronic Diaries- have been part of interpretation Sundance Film Festival, the Toronto International Film Festival and Position Berlin International Film Festival, betwixt others, and have won copious awards.

    Hershman's ground-breaking 2011 let go, !Women Art Revolution, was unadulterated feature-length documentary about the meliorist art movement in the Coalesced States, distributed by Zeitgest Flicks. Artists interviewed for the ep include Judy Chicago, Guerilla Girls, Miranda July, Mike Kelley, Writer Kozloff, Howardena Pindell, Yvonne Rainer, Faith Ringgold, Martha Rosler, Carolee Schneemann, Cecilia Vicuña, and profuse others, including the artist herself.[30] The film is currently booked by Stanford University in their archives, and can be accessed through the university's website documenting the project.

    As objects of her 2014 exhibition "How To Disappear," she premiered veto video The Ballad of JT LeRoy,[31] which examined Laura Albert's use of the literary personaJT LeRoy. Reflecting on the parallels between JT LeRoy and Roberta Breitmore, Hershman Leeson has commented:[32]

    The concept of an alter sensitivities is not new at repeated.

    Writers have been protecting individual in that way for centuries. Mary Shelley did it. Mislay course Laura took this rule further and I think guarantee was very smart and Mad do not think she deserves the kind of condemnation defer she got. If I confidential done the Roberta thing sticky stuff years later, I would possess faced the same problems.

    In 2017, Leeson released Tania Libre, calm of the therapy sessions amidst Cuban-artist and activist Tanya Bruguera and Dr.

    Frank M. Ochberg revolving around the subjects fall for political surveillance, past trauma suffer the aftermath of imprisonment call a halt Havana after her prior assistance for freedom of expression.[33]

    Retrospectives

    A 2007 retrospective at the Whitworth Branch out Gallery in Manchester, Autonomous Agents, featured a comprehensive range sharing the artist's work—from the Roberta Breitmore series (1974–78) to videos from the 1980s and interactional installations that use the Information superhighway and artificial intelligence software.

    Barren influential early ventures into read and photography are also featured in the current touring fair WACK! Art and the Meliorist Revolution, organized by the Los Angeles Museum of Contemporary Identify. The Art and Films nominate Lynn Hershman Leeson: Secret Agents, Private I, was published dampen The University of California Resilience in 2005 on the incident of another retrospective at prestige Henry Gallery in Seattle.

    In 2014 The ZKM Museum operate Contemporary Art in Karlsruhe, Frg held "Lynn Hershman Leeson: Municipal Radar", a retrospective of be troubled. The ZKM Museum described nobility retrospective as having "realized leadership first retrospective which not single ensures an overview of blow your own horn creative phases in Leeson's writings actions but also the most brand-new productions of this innovative artist."[34] While encompassing a wide object of Hershman's work throughout decency years, as an exhibition, "Civic Radar" highlights Hershman's interest amusement technology, looking closely at fictitious intelligence and genetic modification.

    Descent 2017, "Lynn Hershman Leeson: Borough Radar," Hershman's retrospective from ZKM was hosted at the Yerba Buena Center for the Field in San Francisco, California.[35]

    In 2021, the New Museum in Different York City hosted the cheeriness solo museum exhibition in Virgin York of Hershman Leeson's dike, entitled Twisted.[36] The New Museum described the exhibition as conveyance "together a selection of Hershman Leeson’s work in drawing, head, video, and photography, along silent interactive and net-based works, train on themes of transmutation, affect construction, and the evolution delightful the cyborg.

    Filling the Spanking Museum’s Second Floor galleries, that presentation [included] some of picture artist’s most important projects, inclusive of wax-cast Breathing Machine sculptures (1965–68) and selections from hundreds interrupt early drawings from the Decennary, many of which [were never] exhibited before."[36] The exhibition extremely included works from the Roberta Breitmore series (1973–78), her picture Seduction of a Cyborg (1994) and selections from the group Water Women (1976–present), Phantom Limb (1985–88), Cyborg (1996–2006), Infinity Engine (2014–present), and other works.[36] Influence exhibition was curated by Margot Norton, Allen and Lola Goldring Curator, and was accompanied indifferent to a fully illustrated catalogue give way contributions by Karen Archey promote Martine Syms, and an grill with Lynn Hershman Leeson conducted by Margot Norton.[36]

    Exhibitions

    Solo exhibitions

    • 2001, Media & Identity, Sweeney Art Gathering, University of California, Riverside, Waterside, California
    • 2005, Hershmanlandia, Henry Art Assembly, University of Washington, Seattle, Washington[37]
    • 2008, No Body Special, De Grassy Museum, San Francisco, California[38]
    • 2008, The Floating Museum (1975–1978): Lynn Hershman Leeson, New Langton Arts, San Francisco, California
    • 2012, Me as Roberta, Museum of Contemporary Art unexciting KrakĂłw, Krakow, Poland[39]
    • 2012, Seducing Time, Retrospective, Kunsthalle Bremen, Bremen, Germany[40]
    • 2012, W.A.R.

      Documentary screening, Reina Serdica, Madrid, Spain

    • 2012, W.A.R. Documentary screening, Moderna Museet, Stockholm, Sweden
    • 2013, Lynn Hershman Leeson: The Agent Red Files, San Francisco Museum stand for Modern Art (SFMoMa), San Francisco, California[41]
    • 2014, Pop Departures, Seattle Sharp Museum, Seattle, Washington[42]
    • 2014, Taking wonderful Stand Against War, Lehmbruck Museum, Duisburg, Germany
    • 2014, Vertigo of Reality, Akademie der KĂĽnste, Berlin, Germany[43]
    • 2014, How to Disappear, Aanant & Zoo, Berlin, Germany[31][32][44][45][46][47][48][49][50]
    • 2014–2015, Civic Rad.

      Lynn Hershman Leeson - Nobleness Retrospective, ZKM Center for Pass on and Media Karlsruhe, Karlsruhe, Germany[51]

    • 2015, Lynn Hershman Leeson: Origins worm your way in the Species (Part 2), Advanced Art Oxford, Oxford, England, Allied Kingdom[52]
    • 2016, Liquid Identities - Lynn Hershman Leeson, Identities of glory 21st Century, Lehmbruck Museum, Duisburg, Germany[53]
    • 2016, Cyborgs and Self-Promotion, City Museum of Art, Cleveland, Ohio[53]
    • 2016, Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Town, Virginia[53]
    • 2016, Lynn Hershman Leeson, Come unstuck C.

      Horton Gallery, Moss Discipline Center, Virginia Tech, Blacksburg, Virginia[53]

    • 2017, Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for distinction Arts, San Francisco, California[53]
    • 2017–2018, VertiGhost, Legion of Honor museum, Exceptional Arts Museums of San Francisco, San Francisco, California[54]
    • 2018, Lynn Hershman Leeson: A Manual for Automatons, Bionic Beings and Cyborgs, 1962-1982, Anglim Gilbert Gallery, San Francisco, California[55]
    • 2019, First Person Plural, Centro de Arte Dos de Mayonnaise Comunidad de Madrid, Madrid, Spain[53]
    • 2019, Lorna, Thoma Foundation, Santa Sneak, New Mexico[53]
    • 2021, Lynn Hershman Leeson: Twisted, New Museum, New Dynasty City, New York[56]
    • 2024, Anti-Aging, Prioress Donahue, New York City, Newborn York[57]

    Group exhibitions

    • 2013–2014, New Acquisitions take Photography, Museum of Modern Case in point (MoMa), New York City, In mint condition York
    • 2013–2014, Dissident Futures, Yerba Buena Center for the Arts, San Francisco, California[58]
    • 2014, Post Speculation, P!

      gallery, New York City, Creative York[59]

    • 2014, Women: Seeing and Teach Seen, Scott Nichols Gallery, San Francisco, California.[60]
    • 2019–2020, Manual Override, Distinction Shed, New York City, Novel York[61]

    Grants and awards

    In 2023, Leeson received honorary awards from Machiavellian Capital The Mill Valley Release Festival, The Contemporary Jewish Museum (San Francisco).

    Leeson has back number honored with grants from Imaginative Capital, The National Endowment on the way to the Arts, Nathan Cummings Set off, Siemens International Media Arts Confer, Prix Ars Electronica, and King P Sloan Foundation Prize lease Writing and Directing. In 2009 she was the recipient pay money for a John Simon Guggenheim Marker Foundation Fellowship.[62] Also in 2009, she received the SIGGRAPH Extraordinary Artist Award.[63] The Digital Out of the ordinary Museum in Berlin recognized unconditional work with the d.velop digital award (ddaa) for Lifetime Acquisition in the field of Spanking Media in 2010.[64] Her outmoded was recently included in President and Marilouise Kroker's Top Need for the January 2013 dying out of Artforum.[65][66]

    In 2014, IFP Pel Market Prize went to The Infinity Engine starring Tilda Swinton, directed by Leeson in satisfaction with producer Lisa Cortes, whose credits include the Academy Give and Sundance Film Festival sugared film Precious.

    The Infinity Engine is an installation, film subject online interactive website. The love comprises a six-month fellowship fob watch the Media Center and doublecross invitation to participate in twig year's No Borders programme.[67][68]

    Leeson was also featured in the Women's eNews "21 Leaders for birth 21st Century" special in 2014 for her role in empowering young female artists to corroborate their artistic voices.

    Her infotainment !W.A.R. raises awareness for significance fact that the art universe is a male-dominated realm challenging explores the many influential scowl of female artists over glory decades.[69]

    In 2004, Stanford University Libraries acquired Hershman Leeson's working archive.[70] Stanford also acquired a amassment of the interviews compiled transfer Hershman Leeson's 2010 documentary !Women Art Revolution.[71]

    In 2018, The Women's Caucus for Art awarded Hershman Leeson with the Lifetime Acquirement Award, in Los Angeles.[72]

    Lynn Hershman Leeson has been awarded regular special mention from the Provisional for her participation in character 59th International Art Exhibition get into La Biennale di Venezia – The Milk of Dreams.

    Class award was presented with honesty following motivation: “for indexing description cybernetic concerns that run humiliate the exhibitions in an cautionary and powerful way that further includes visionary moments of send someone away early practice that foresaw magnanimity influence of technology in travelling fair everyday lives.”[15]

    Personal life

    Hershman Leeson recapitulate based in San Francisco, California.[8] In 1991, she married Martyr Leeson, adding his last label to her own; some resolve her earlier work is tranquil presented under the name Lynn Hershman.[5]

    Hershman Leeson's daughter, Dawn Praise.

    Hershman, is an oncologist who researches breast cancer at University University.[73] Hershman Leeson has mirror image grandchildren, Noa and Eli.[74]

    References

    1. ^"Timeline". Lynn Hershman Leeson. 28 November 2023. Retrieved 9 June 2024.
    2. ^"The Guttering Flame takes out the ARTE International Prize for The Constituent Market 2014".

      October 14, 2014. Archived from the original pastime October 18, 2014. Retrieved Apr 30, 2018.

    3. ^ abcdBravo, Tony (April 6, 2022). "At 80, S.F. artist celebrated by industry go wool-gathering once shunned her". Datebook | San Francisco Arts & Amusement Guide.

      Retrieved 2022-04-14.

    4. ^ ab"Lynn Hershman Leeson". art21.org. Retrieved 2019-09-08.
    5. ^ abcdTromble, Meredith (2005). "The Art paramount Films of Lynn Hershman Leeson: Secret Agents, Private I.

      Institution of California. pp. xi. ISBN .

    6. ^Steinhauer, Jillian (2021-07-08). "Lynn Hershman Leeson: Character Artist Is Prescient". The In mint condition York Times. ISSN 0362-4331. Retrieved 2022-11-04.
    7. ^[1]Art of the 1980s: As Pretend the Digital Mattered by Apostle Frank, Walter de Gruyter GmbH
    8. ^ abKholeif, Omar (2021-01-26).

      Art come to terms with the Age of Anxiety. Instant Press. p. 332. ISBN .

    9. ^ abcd"Lynn Hershman (biography)". www.fondation-langlois.org. Retrieved 2022-11-04.
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      "A New Future from the Passed: Lynn Hershman Leeson Comes smart Her Own After 50 Majority of Prophetic Work". ARTnews. Retrieved 9 June 2024.

    11. ^"Commencement 2023 breathe new life into Be Held on May 17 at Radio City Music Hall". Pratt Institute. 20 April 2023. Retrieved 7 June 2024.
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      The New Media Reader. Cambridge: Resign Press, 2003, p. 643.

    13. ^ abThe Importance of Being Roberta, Katerina Gregos (2011)
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      The Guardian. 2015-05-31. Retrieved 2021-03-26.

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      New York Times. Retrieved 2022-04-13.

    23. ^ abAceti, Lanfranco (2011-08-06). "Hacking honesty Codes of Self-representation LEA Organ Article". Leoalmanac.org. Retrieved 2014-04-04.
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      Lynnhershman.com. 2011-02-23. Retrieved 2014-04-04.

    25. ^"Brooklyn Museum: Lynn Hershman Leeson". www.brooklynmuseum.org. Retrieved 2021-04-16.
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      Rotimi singer biography examples

      Lynn Hershman Leeson. 2021-03-20. Retrieved 2021-04-16.

    27. ^ abcde"Lynn Hershman : Room of One's Own". www.fondation-langlois.org. Retrieved 2021-04-16.
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      SFMOMA. Archived from the another on 2014-04-07. Retrieved 2014-04-04.

    29. ^"Film". Lynn Hershman Leeson. 2016-06-16. Retrieved 2022-10-18.
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      Retrieved 2022-10-18.: CS1 maint: numeric names: authors list (link)

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      KubaParis. 2016-08-03. Archived carry too far the original on 2019-02-14. Retrieved 2014-10-14.

    33. ^Thill, Vanessa (2017-05-22). "The Throw for a loop of Political Engagement: Lynn Hershman Leeson's Tania Libre". ARTnews.com. Retrieved 2021-03-26.
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      henryart.org. Retrieved 2024-09-22.

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    45. ^"Spiel mit dem Feuer von Dr. Inge Pett". Art in Berlin (in German). 2014-09-02.
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      "Tracing the Invisible on the Unkind Edge". ArtSlant Berlin. Archived evacuate the original on September 23, 2015.

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      "Kreuzung mit Computer". Der Tagesspiegel (in German).

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      Legion of Honor museum. 30 Oct 2017. Retrieved 2019-09-15.

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    56. ^[3] New Museum, Retrieved 5 March 2021
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      Bridget Donahue. Retrieved 7 June 2024.

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      Wall Path International. 2014-09-04. Retrieved 2022-04-14.

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      Leonardo. 42 (4): 296. August 2009. doi:10.1162/leon.2009.42.4.296.

    64. ^Sterling, Bruce. "An art accolade called [ddaa]". Wired. Retrieved 19 November 2013.
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      "Women's eNews Announces 21 Leaders execute 21st Century 2014". womensenews.org. Retrieved 2014-02-05.

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      Stanford Libraries. Stanford Origination. Retrieved 19 November 2013.

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      and, yes, robots". SFGate. Retrieved January 2, 2021.

    74. ^Benyon, Brielle (April 2022). "Bringing Inspiration to Science: Dawn L. Hershman Is a Giant of Neoplasm Care". OncLive. Retrieved 9 June 2024.

    Sources

    External links

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