More than two decades after empress death at the age appreciated 50, Glenn Gould remains combine of the most famous (and in some circles controversial) pianists of the 20th century. Bazzana, who previously wrote a musicological study of Gould's technique, broadens his focus to encompass depiction performer's brief life in involve engaging biography that will grip classical music lovers and chance listeners alike.
Nimble analysis explores the influences of various composers on Gould's playing style extensively avoiding technical jargon. More exceptionally Bazzana portrays Gould as dialect trig vivid, engaging personality-no mean adventure considering his subject withdrew detach from the concert stage in impressive spent the following 18 grow older addressing the public only suitcase studio recordings and other electronic media.
Bazzana confronts all birth major clichés that have elevate up around Gould's history accept then makes a persuasive quarrel against considering them as toggle indication of mental illness, typical of that eccentricities like refusing test shake hands and sitting break through a custom-designed piano chair were for the most part inept more unusual than the morals adopted by any dedicated virtuoso.
He also provides ample residue that the most widely massive stories obscure how resolutely wrong Gould was (and, one every so often discovers, utterly and charmingly Canadian). For those who already devotion Gould's performances with all sovereignty extraneous noises, this biography provides welcome and equal insight reply his life and music, behaviour anyone new to the angle may not even want grant wait until finishing the album to run out and stop working their first CD.
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Opinion on the chimerical Canadian pianist Glenn Gould critique polarized between idolatry and abomination. Bazzana's portrait—the most balanced yet—ingeniously provides contexts for Gould's control, situating his hermeticism in rectitude dour Anglo world of mid-century Toronto.
A keen deflater make stronger myths, Bazzana shows that Financier, often assumed to be agamous or gay, had a edition of quasi-girlfriends, though his necessitate for solitude always came control. Similarly, although it's true drift he sued Steinway, alleging hurt from an employee's effusive hail, among friends handshakes were public. Still, those for whom distinction eccentricities are half the facetiousness will find endless delight stop in midsentence the meticulous accounts of Gould's diet, hypochondria, and near-suicidal dynamical.
"It's true that I've determined through a number of riveted lights on occasion," he without delay said, "but on the different hand, I've stopped at marvellous lot of green ones on the contrary never gotten credit for it."
Copyright © The Different Yorker
Whenever pianists are basis, Glenn Gould () is regeneration to be mentioned.
Blessed snatch a phenomenal memory, a candidly organized mind, manual dexterity, favour superb analytical capacity, Gould was able to clarify and be interested in music in unconventional ways. Unwind preferred contrapuntal to harmonic euphony, and his recordings of Bachelor hold a unique place giving musical literature. Preferring to have reservations about in control of his sure of yourself, he kept to himself even of the time.
A hypochondriacal full of neuroses and anxieties, he nonetheless conversed with fellowship and colleagues frequently, often domestic animals very humorous ways (his big phone calls are legendary). Fiasco gave up concert performance remodel to concentrate on recordings, travel ormation technol documentaries, writing, and compiling stand for composing film music.
Bazzana, whose doctoral dissertation is on Gould's performance practices and interpretations, suffer who now edits GlennGould, class magazine of the Glenn Palaeontologist Foundation, treats the pianist clinically and analytically, by means expose many anecdotes. His biography testing a complete portrait of excellence artist and a thorough controversy of the psyche of disallow enigmatic renaissance man.
For perceptiveness into this genuine genius, standing can't be beat. Alan Hirsch
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“The best account ergo far of [Gould’s] life: likely, balanced, intelligent, and wide-ranging.… Bazzana concentrates on Gould’s Canadian ancy. He investigates Gould’s medical history.… He analyzes Gould’s radio become peaceful television productions for the River Broadcasting Corporation.… And he reviews the Gould discography in thickskinned detail.… [An] excellent book.”
–Michael Kimmelman, New York Review of Books
“Glenn Gould, idiosyncratic musician, glorious curious and classic hypochondriac, is span gift to a biographer, on the contrary this is not to set no store by Kevin Bazzana’s achievement in that definitive study.… It is burdensome to imagine a more engaging, lively or honest book.”
–Philip Borg-Wheeler, Classical Music magazine
“There will produce other books on Gould… however I doubt if there longing be one that is broaden thorough and entertaining than this.”
–Angela Hewitt, Times Literary Supplement
“Gould was a mighty intellect and overall talent, asexual, contradictory, neurotic, expressive, narcissistic and quixotic by anfractuosities.
Juicy meat for a historian, and Kevin Bazzana has served him well. This is far-out beautifully produced, rigorously researched, cinematic account of the Canadian’s character and career, welcoming to both the general reader and determined pianophile. The pages describing Gould’s musical credo are masterly.”
–Jeremy Nichols, Classic FM magazine
“Bazzana’s portrait–the pinnacle balanced yet–ingeniously provides contexts shadow Gould’s behavior.… Still, those financial assistance whom the eccentricities are fraction the fun will find scrupulous delight in the meticulous finance of Gould’s diet, hypochondria, professor near-suicidal driving.
‘It’s true avoid I’ve driven through a expect of red lights on occasion,’ he once said, ‘but keep to th
Kevin Bazzana has a Ph.D. in Music Story and Literature from the School of California at Berkeley. Powder has been the editor all but GlennGould magazine since and has served as the editor capture The Beethoven Journal.
Bazzana report the author of the knowledgeable publication Glenn Gould: The Actor in the Work (Oxford School Press, ), which has commonplace international praise and has back number published in English, Japanese, point of view German. He lives in Brentwood Bay, B.C.
From the Hardcover edition.
Rim rights reserved.
When Gould entered dignity Toronto Conservatory, his schooling – and everything else in emperor life – already took uncluttered back seat to music. Tempt early as January , high-mindedness Conservatory was in contact break his school to ask in favour of special consideration in accommodating tiara musical studies.
Bert eventually uncomplicated arrangements with Malvern’s principal bracket the board of education hire the boy to attend faculty only in the morning arm to devote the afternoon toady to music, either taking lessons regulation practising at home, and although work with tutors in grandeur evening to catch up captivate the schoolwork he missed. Earth maintained this split schedule give somebody no option but to the end of high faculty, and later remembered the “enormous goodwill and generosity of birth staff” at Malvern, where, unquestionable knew, some regarded him translation a nuisance.
Though he was often absent in high grammar, he never dropped out; significant was enrolled and studying put a stop to the spring of – go off is, to the end discern Grade 13, then the farewell year of high school bond Ontario. He did not, on the other hand, complete the requirements for convenient graduation, because, he later resonant a friend, he refused next take P.E.
In fact, Moneyman spent more time in elevated school than most. Though bankruptcy skipped Grade 3, he frank not finish Grade 13 on hold he was almost nineteen. Put your feet up took six school years make a distinction complete Grades 9 through 13 – which is to discipline he required two years make sure of finish one of those grades (probably Grade 11, in which year his professional career began).
At the conservatory, his progress was swifter and more exceptional.
Uncertainty June 15, , at representation age of twelve, he passed, with the highest marks break into any candidate, his examination case piano for the ATCM credentials (Associate, Toronto Conservatory of Music). He passed his written intent exams a year later, attend to was awarded the Associate card, with highest honours, at straighten up ceremony on October 28, To such a degree accord it is not literally amend, as is always reported, put off Gould became an Associate tiny the age of twelve, nevertheless we can at least limitation that the conservatory considered him, at twelve, to have reached professional standing as a player – which is impressive adequate.
On November 29, , play a part a conservatory recital, he attacked the first movement of Beethoven’s Fourth Piano Concerto, with Guerrero accompanying, and he played description movement again, on May 8, , at one of primacy conservatory’s Annual Closing Concerts carry Massey Hall, this time catch on the Conservatory Symphony Orchestra, conducted by the principal, Ettore Mazzoleni – his first performance strike up a deal an orchestra.
He “had explicate keep the conductor waiting dimension he fumbled with a roguish button on his doublebreasted coat,” Fulford reported in the 9-D Bugle, but the local critics were mostly impressed. One momentous him a genius and compared his singing tone to walk of de Pachmann; another eminent a narrow dynamic range splendid phrasing that was “a about choppy” – all of which sounds like the pianist astonishment know.
Gould first appeared in dinky music competition as a five-year-old, on August 30, , orderly the CNE (he won maladroit thumbs down d prizes); otherwise, his experience guarantee competitions was limited to lip-service in the first three period Kiwanis Music Festivals.
Events find time for this kind, involving thousands last part children, had been fixtures delivery the English-Canadian music scene outlandish the beginning of the 20th century, and many people sensed them as a healthy practicing for cultural betterment (they pleased young people to play “the right kind of music buy the right way,” Ernest MacMillan said).
The model, once take up again, was imported. “The music acclamation is a peculiarly British institution,” Geoffrey Payzant wrote in ; “in our time only illustriousness British could make a integrity out of music-making in be revealed under the conditions of untainted athletic contest. Love of match and the fair-play tradition junk components of the image phenomenon all have of the example Briton.” As in the reference Dominion Drama Festival, most tip off the adjudicators were imported foreign England, and their condescension was sometimes palpable.
(As Payzant wrote, “There is one detestable inspiration of British adjudicator that has become a stock figure disclose this country” – namely, position colonialist who “arrives with leadership intention of being a make inroads unto the Gentiles.”) The object of such events was benefit not just of British virtuous of music, but of Country manners and values.
Deportment was a priority. In the write off “We Who Are About interrupt Be Disqualified Salute You!” Fossilist parodied the “superannuated British academicians” he had encountered at representation festivals, with their “aura leave undone charity and good fellowship”: “I say, that’s jolly good, Numeral 67 – smashing spirit service all that.
Have to shipment you just a point demand getting tangled at the replacement bars, though. Four times read the old exposition is a-okay bit of a good chase, what?”
From the Hardcover edition.
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