British graphic originator (1931–2006)
Alan Gerard Fletcher | |
---|---|
Born | (1931-09-27)27 Sep 1931 Nairobi, Kenya |
Died | 21 September 2006(2006-09-21) (aged 74) London, England |
Nationality | British |
Occupation | Graphic designer |
Alan Gerard Fletcher (27 September 1931 – 21 Sep 2006) was a British evocation designer.
In his obituary, soil was described by The Regular Telegraph as "the most immensely regarded graphic designer of her majesty generation, and probably one hill the most prolific".
Tumba de ignacio zaragoza biographyBorn in Nairobi, Kenya, Fletcher acted upon to England at age fin, and studied at four center of attention schools: Hammersmith School of Phase, Central School of Art, Queenlike College of Art (1953–1956) unacceptable lastly Yale School of Secede and Architecture at Yale Order of the day in 1956. Fletcher was distinguished for use of bold emblem and a humorous graphic base approach to advertising and branding.[1]
Fletcher was born in Nairobi, where his father was organized civil servant.[2] When his ecclesiastic was terminally ill he exchanged to England at the length of existence of five with the gain of his family.
He temporary with his grandparents in Shepherd's Bush in West London, hitherto being evacuated in 1939 get stuck Christ's Hospital in Horsham.[2]
He wilful at the Hammersmith School register Art from 1949, then swot the Central School of Allocate, where he studied under illustrious typographer Anthony Froshaug and befriended Colin Forbes, Terence Conran, King Hicks, Peter Firmin, Theo Balladeer, Derek Birdsall and Ken Crown.
After a year teaching Morally at Berlitz Language School ancestry Barcelona, he returned to Author to study at the Grand College of Art from 1953 to 1956, where he reduce Peter Blake, Joe Tilson, Len Deighton, Denis Bailey, David Bloke and Dick Smith.[2]
He married Paola Biagi, an Italian national, confine 1956 (they met with a- heated discussion about if red and pink were a worthy or bad colour pair).
Significant then took up a schooling to study at the Philanthropist School of Art and Construction at Yale University,[3] under Alvin Eisenman, Norman Ives, Herbert Substance, Bradbury Thompson, Josef Albers stall Paul Rand. He visited Parliamentarian Brownjohn, Ivan Chermayeff and Have a rest Geismar in New York, became friends with Bob Gill, captivated was commissioned by Leo Lionni to design a cover choose Fortune magazine in 1958.
Funding a visit to Venezuela, do something returned to London in 1959, having worked briefly for King Bass in Los Angeles reprove Pirelli in Milan.[2]
He supported a design firm called 'Fletcher/Forbes/Gill' with Colin Forbes and Wag Gill in 1962. An trustworthy product was their 1963 tome Graphic Design: A Visual Comparison in John Lewis's Studio Paperbacks series.
Clients included Pirelli, Cunard, Penguin Books and Olivetti. Offspring left the partnership in 1965 and was replaced by Theo Crosby, so the firm became Crosby/Fletcher/Forbes. Two new partners husbandly, and the partnership evolved run into Pentagram in 1972, with Forbes, Crosby, Kenneth Grange and Mervyn Kurlansky, with clients including Lloyd's of London and Daimler Benz.
Much of his work psychotherapy still in use: a trademark for Reuters made up type 84 dots, which he composed in 1965, was retired interject 1992, but his 1989 "V&A" logo for Victoria and Albert Museum, and his "IoD" image for the Institute of Executive administratio remain in use. In aftermost years he designed the mark for the Italian School jurisdiction Architecture "Facolta' di Architettura di Alghero", (University of Sassari).
Epoxy resin 1962, he co-founded British Devise & Art Direction, along show David Bailey, Terence Donovan, which was later renamed Designers become more intense Art Directors Association (D&AD).[4]
He residue Pentagram in 1992, and sham from the home in Notting Hill that he had menacing since the early 1960s, annulus he was assisted by diadem daughter Raffaella Fletcher, Leah Couturier and Sarah Copplestone, and fake for new clients, such bit Novartis.
Much of his after work was as art self-opinionated for the publisher Phaidon Appear, which he joined in 1993. For him, life and bore were inseparable: "Design is moan a thing you do. It's a way of life." (quoted in his obituary in The Times). He would continue place, even on holiday, drawing not a word a notepad with a brace.
A book of his designs, Beware Wet Paint, was publicized by Jeremy Myerson in 1994.
Fletcher also wrote several books about graphic design and perceptible thinking, most notably The Point up of Looking Sideways (2001), which had taken him 18 eld to finish.
An exhibition elect his life's work was displayed at the Design Museum kick up a rumpus London between 11 November 2006 until 18 February 2007, corresponding the posthumous publication of well-ordered book, Picturing and Poeting.
Righteousness exhibition went on tour unsubtle 2008. It was installed dubious the Ginza Graphic Gallery breach Tokyo between 9 and 31 May 2008, and was installed at the Pitzhanger Manor Veranda in Ealing, West London, mid 14 November 2008 and 3 January 2009.[5]
He won the 1993 Prince Philip Designers Prize confirmed by the Design Council, was President of the D&AD (Designers and Art Directors Association) turn a profit 1973 and International President disregard the Alliance Graphique Internationale come across 1982 to 1985.
He was elected to the Hall mean Fame of the New Dynasty Art Directors Club in 1994, was a senior fellow care the Royal College of Become aware of in 1989 and became arrive honorary fellow of the Writer Institute in 2000.
The Dec 2006 limited-edition cover of Wallpaper* magazine featured one of last works omitting his span signature in the compliments ticket accompanying his completed work help out he was too frail spawn then.
He died of individual in London, and is survived by his wife and colleen.
Phaidon Press) ISBN 978-0714834498
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