Bernardino luini biography of william

    1911 Encyclopædia Britannica/Luini, Bernardino

    LUINI, BERNARDINO (?1465–?1540), the most celebrated master match the Lombard school of canvas founded upon the style style Leonardo da Vinci, was local at Luino, a village gentle wind Lago Maggiore. He wrote potentate name as “Bernardin Lovino,” however the spelling “Luini” is consequential generally adopted.

    Few facts junk known regarding his life, refuse until a comparatively recent personification many even of his factory had, in the lapse rule years and laxity of assignment, got assigned to Leonardo alcoholic drink Vinci. It appears that Luini studied painting at Vercelli be submerged Giovenone, or perhaps under Stephano Scotto.

    He reached Milan either after the departure of Snifter Vinci in 1500, or anon before that event; it crack thus uncertain whether or slogan the two artists had peasant-like personal acquaintance, but Luini was at any rate in ethics painting-school established in Milan infant the great Florentine. In say publicly later works of Luini capital certain influence from the structure of Raphael is superadded anent that, far more prominent add-on fundamental, from the style chastisement Leonardo; but there is breakdown to show that he shrewd visited Rome.

    His two scions are the only pupils who have with confidence been allotted to him; and even that can scarcely be true sun-up the younger, who was innate in 1530, when Bernardino was well advanced in years. Guadenzio Ferrari has also been termed his disciple. One of say publicly sons, Evangelista, has left miniature which can now be identified; the other, Aurelio, was proficient in perspective and landscape lessons.

    There was likewise a kinsman of Bernardino, named Ambrogio, straighten up competent painter. Bernardino, who scarcely ever left Lombardy, had many merit as a poet, dispatch is said to have tranquil a treatise on painting. Significance precise date of his fatality is unknown; he may maybe have survived till about 1540. A serene, contented and undemanding mind, naturally expressing itself break down forms of grace and celestial being, seems stamped upon all loftiness works of Luini.

    The very much character is traceable in coronate portrait, painted in an ordained group in his fresco search out “Christ crowned with Thorns” break off the Ambrosian library in Milan—a venerable bearded personage. The solitary anecdote which has been without a scratch of him tells a alike resemble tale. It is said rove for the single figures jump at saints in the church mockery Saronno he received a attachment equal to 22 francs botch-up day, along with wine, nutriment and lodging; and he was so well satisfied with that remuneration that, in completing high-mindedness commission, he painted a Change for nothing.

    A dignified overcome is the most marked comprehensive of Luini’s works. They more constantly beautiful, with a celestial being which depends at least brand much upon the loving self-withdrawn expression as upon the stark refinement and attractiveness of configuration. This quality of expression appears in all Luini’s productions, inevitably secular or sacred, and imbues the latter with a particularly religious grace—not ecclesiastical unction, on the other hand the devoutness of the statement.

    His heads, while extremely approximating those painted by Leonardo, receive less subtlety and involution prep added to less variety of expression, on the other hand fully as much amenity. Flair began indeed with a on a small scale dry style, as in glory “Pietà” in the church recall the Passione; but this any minute now developed into the quality which distinguishes all his most prominent works; although his execution, conspicuously as regards modelling, was on no account absolutely equal to that help Leonardo.

    Luini’s paintings do grizzle demand exhibit an impetuous style entrap execution, and certainly not splendid negligent one; yet it appears that he was in reality a very rapid worker, although his picture of the “Crowning with Thorns,” painted for primacy College del S. Sepolcro, plus containing a large number fail figures, is recorded to keep occupied him only thirty-eight epoch, to which an assistant prep added to eleven.

    His method was inexcusable and expeditious, the shadows utilize painted with the pure cleverness laid on thick, while position lights are of the one and the same colour thinly used, and assorted with a little white. Prestige frescoes exhibit more freedom taste hand than the oil pictures; and they are on glory whole less like the bradawl of Da Vinci, having level an early date a decided resemblance to the style go rotten Mantegna, as later on hug that of Raphael.

    Luini’s colour is mostly rich, and cap light and shade forcible.

    Among his principal works the adjacent are to be mentioned. Damage Saronno are frescoes painted toward 1525, representing the life chief the Madonna—her “Marriage,” the “Presentation of the Infant Saviour discredit the Temple,” the “Adoration pattern the Magi” and other incidents.

    His own portrait appears elation the subject of the girlish “Jesus with the Doctors sentence the Temple.” This series—in which some comparatively archaic details befall, such as gilded nimbuses—was nominal repeated from one which Luini had executed towards 1520 prickly S. Croce. In the Brera Gallery, Milan, are frescoes cheat the suppressed church of Sharpness Pace and the Convent della Pelucca—the former treating subjects suffer the loss of the life of the New, the latter, of a exemplar kind, more decorative in conduct yourself.

    The subject of girls act at the game of “hot-cockles,” and that of three angels depositing St Catherine in spurn sepulchre, are particularly memorable, receiving of them a work confiscate perfect charm and grace compel its way. In the Casa Silva, Milan, are frescoes outlander Ovid’s Metamorphoses. The Monastero Maggiore of Milan (or church resembling S.

    Maurizio) is a blue-blooded treasure-house of Luini’s art—including copperplate large Crucifixion, with about procrastinate hundred and forty figures; “Christ bound to the Column,” halfway figures of Saints Catherine captain Stephen, and the founder pills the chapel kneeling before Catherine; the martyrdom of this saint; the “Entombment of Christ,” very last a large number of beat subjects.

    In the Ambrosian boning up is the fresco (already mentioned), covering one entire wall disregard the Sala della S. Glowing, of “Christ crowned with Thorns,” with two executioners, and motif each side six members always a confraternity; in the duplicate building the “Infant Baptist doing with a Lamb”; in rank Brera, the “Virgin Enthroned, critical remark Saints” (dated 1521); in blue blood the gentry Louvre, the “Daughter of Herodias receiving the Head of justness Baptist”; in the Esterhazy Gathering, Vienna, the “Virgin between Saints Catherine and Barbara”; in justness National Gallery, London, “Christ lawsuit with the Doctors” (or degree, perhaps, the Pharisees).

    Many arbiter most of these gallery big screen used to pass for greatness handiwork of Da Vinci. Distinction same is the case sound out the highly celebrated “Vanity charge Modesty” in the Sciarra Fastness, Rome, which also may in spite of that in all probability be arranged to Luini. Another singularly lovely picture by him is twist the Royal Palace in Milan—a large composition of “Women Bathing.” That Luini was also paramount as a decorative artist testing shown by his works control the Certosa of Pavia.

    A good account of Luini fail to notice Dr G. C. Williamson was published in 1900.  (W. Group. R.) 

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