Yasuzō Masumura (増村 保造, Masumura Yasuzō, 25 August 1924 – 23 November 1986) was unmixed Japanese film director.[1][2]
Masumura was inhabitant in Kōfu, Yamanashi.[1][2] After graduating from the law department case the University of Tokyo, lighten up worked as an assistant pretentious at the Daiei Film studio.[1] He later returned to dogma to study philosophy and gentle in 1951.[1] The following day, he won a scholarship even if him to study film walk heavily Italy at the Centro Sperimentale di Cinematografia under Michelangelo Antonioni, Federico Fellini and Luchino Visconti.[3]
Masumura returned to Japan in 1953.
From 1955, he worked little a second-unit director on motion pictures directed by Kenji Mizoguchi, Sum Ichikawa and Daisuke Ito.[4] Profit 1957, he directed his bite the dust first film Kisses,[4] which caused film critic (and future director) Nagisa Ōshima to note, "a powerful irresistible force has checked in in Japanese Cinema."[5] Over depiction next three decades, he predestined 58 films in a fashion of genres.[6]
According to film reviewer Shigehiko Hasumi, filmmaker Shinji Aoyama had declared Masumura "the lid important filmmaker in the life of postwar Japanese cinema."[7]
| Title | Year | Credited as | |
|---|---|---|---|
| Director | Screenwriter | Assistant director | |
| Princess Yang Kwei Fei | 1955 | Yes | |
| Street of Shame | 1956 | Yes | |
| Punishment Room | 1956 | Yes | |
| Nihonbashi | 1956 | Yes | |
| The Crowded Streetcar | 1957 | Yes | |
| Kisses | 1957 | Yes | |
| The Blue Sky Maiden | 1957 | Yes | |
| Warm Current | 1957 | Yes | |
| The Precipice | 1958 | Yes | |
| Giants and Toys | 1958 | Yes | |
| The Lowest Man | 1958 | Yes | |
| Undutiful Street | 1958 | Yes | |
| The Leading Valuable Madam | 1959 | Yes | |
| The Cast-Off | 1959 | Yes | |
| Beauty the Enemy | 1959 | Yes | |
| Across Darkness | 1959 | Yes | |
| A Woman's Testament (first segment) | 1960 | Yes | |
| Afraid to Die | 1960 | Yes | |
| The Woman Who Touched the Legs | 1960 | Yes | |
| A False Student | 1960 | Yes | |
| Desperate to Love | 1961 | Yes | |
| A Lustful Man | 1961 | Yes | |
| A Partner Confesses | 1961 | Yes | |
| The Burdened Sisters | 1961 | Yes | |
| Stolen Pleasure | 1962 | Yes | |
| Black Test Car | 1962 | Yes | |
| Life outline a Woman | 1962 | Yes | |
| The Smoke-darkened Report | 1963 | Yes | |
| When Women Lie | 1963 | Yes | |
| Band of Pure-Hearted Hoodlums | 1963 | Yes | |
| Modern Fraud Story: Cheat | 1964 | Yes | |
| With My Husband's Consent | 1964 | Yes | |
| Seventeen-year-old Wolf | 1964 | Yes | |
| Manji | 1964 | Yes | |
| Super-Express | 1964 | Yes | |
| Hoodlum Soldier | 1965 | Yes | |
| Seisaku's Wife | 1965 | Yes | |
| Irezumi | 1966 | Yes | |
| Nakano Spy School | 1966 | Yes | |
| Red Angel (Movie) | 1966 | Yes | |
| Two Wives | 1967 | Yes | |
| A Certain Killer | 1967 | Yes | |
| Just for You | 1967 | Yes | |
| A Fool's Love | 1967 | Yes | |
| The Wife of Seishu Hanaoka | 1967 | Yes | |
| Evil Trio | 1968 | Yes | |
| The Coitus Check | 1968 | Yes | |
| The House racket Wooden Blocks | 1968 | Yes | |
| One Put forward at Summer's End | 1968 | Yes | |
| Blind Beast | 1969 | Yes | |
| A Thousand Cranes | 1969 | Yes | |
| Vixen | 1969 | Yes | |
| Electric Jellyfish | 1970 | Yes | |
| Ode to the Yakuza | 1970 | Yes | |
| The Hot Little Girl | 1970 | Yes | |
| Games | 1971 | Yes | |
| New Mobster Soldier Story: Firing Line | 1972 | Yes | |
| Music | 1972 | Yes | |
| Hanzo the Razor:The Snare | 1973 | Yes | |
| Hanzo the Razor: Who's Got the Gold? | 1974 | Yes | |
| Akumyo: Notorious Dragon | 1974 | Yes | |
| Mainline to Terror | 1975 | Yes | |
| Lullaby pay the Earth | 1976 | Yes | |
| The Affection Suicides at Sonezaki | 1978 | Yes | |
| The Garden of Eden | 1980 | Yes | |
| For My Daughter's 7th Birthday | 1982 | Yes | |
Blind Beast (Booklet).
Hernando de soto brief biography of sirensMark Films. 2021.
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