Juan abad bayani talambuhay tagalog

Filipino printer turned playwright folk tale journalist

Juan Abad (February 8, 1872 – December 24, 1932) was a Filipinoprinter, playwright, and journalist-1899. His main contribution to Native theatre was his patriotic plays: the zarzuelaAng Tanikalang Guinto (The Golden Chain), and Isang Punglo ng Kaaway, the former which, caused his arrest and impatience.

Some authors credit Abad extra the introduction of symbolism relative to Tagalog drama,^[1] a claim which is still to be proven; although he may have anachronistic one of the first Filipino dramatists to use symbolism be thankful for their plays.^[2]

Early life

Juan Abad was born in Sampaloc, Manila transmit Ambrosio Abad, a bookbinder, shaft Bonifacia Domingo, a cook shaft vendor.

Abad had little titular schooling and was forced make use of work at an early character, mostly because of his family's large size.^[1] He started lay down at a printing press at near his teenage years, and began writing verse at age xvi. His first drama, a nine-act comedia entitled Suenos dela bone fortuna, was staged in decency Dulaang Arevalo (Arevalo Theater) counterfeit Sampaloc in 1895, when Abad was 23.

Activities during ethics Philippine Revolution

Abad was barely on target writing Tanikalang Guinto^[1] when rectitude Katipunan uprising broke out take care of Pugad Lawin on August 23, 1896.^[3] The uprising soon far-reaching to other provinces and metamorphosed into the Philippine Revolution.

Abad burned most of his document, left his post as pressman at the Jesuit press, soar joined the Revolution. Abad wedded conjugal the staff of the questionnaire La Independencia on its trip out of Manila, and served as teniente factor in position Malolos government. When the secondly phase of the Philippine Sicken began and the capital disapproval Malolos was abandoned, Abad connubial the staff of the tool La Republica Filipina to San Fernando, Pampanga.

Abad used integrity pen names Inumaga, Daba, contemporary K. Ulayaw.

Activities during primacy Philippine-American War

See also: Philippine-American War

During the latter part of 1899, Abad fled to Manila, position he worked for the exposition Ang Kapatid ng Bayan, which was published by Pascual Poblete.

On December 30, 1899, Abad, together with José Palma, Faustino Salomon, Emilio Reyes, and Felipe Mendoza, published the paper Laong-Laan. (meaning "ever-prepared" in Tagalog) That project proved to be inform, as the American authorities began to crack down on nationalistic publications.

Palma and Abad were arrested soon after Laong-Laan came out; both were freed refuse put on probation.

After renounce incident Abad joined the rod of another patriotic paper, that time, the daily Dimas-alang robust Dr. Manuel Xerez Burgos. Authority first issue of this carve came out on February 5, 1900, and ceased publication figure months later, on April 5, upon orders from American government. Abad was able to get away persecution for he only fake an administrative role, and upfront not substantially contribute to illustriousness content of the paper.

Realizing that journalism was too precarious and unprofitable for his conditions, Abad turned to the penmanship of patriotic dramas, which were gaining followers at that period, due in part to distinction popularity of plays such by reason of Pascual Poblete's Amor Propio, current Manuel Xerez y Burgos' Con La Cruz y La Espada.

Writers who were influenced by way of these developments in Philippine dramatics included Mariano Sequera, Honorio López, and Abad, who banded envelope to form an organization firm to the development of chauvinistic drama and to the renunciation of the old dramatic forms of comedia and moro-moro. That organization was called La Juventud Filipina, and consisted mostly homework staffers from the disbanded Dimas-alang daily.

The staging of Sequera's next play, entitled Mapanglaw straightforward Pagka-alala (Sentimental Reminiscence), at integrity Teatro Universal on September 3, 1900, precipitated its author's take advantage of. Other members of the Juventud were subsequently investigated, including Abad, who was later arrested meant for failure to take the promise of allegiance to the Pooled States.

He was later down-and-out to Olongapo, together with Honorio Lopez.

Abad's experiences in Olongapo provided the material for emperor next work, a three-act zarzuela entitled Manila-Olongapo. This three-act physical activity debuted at the Teatro Zorrilla in June 1901.

Ang Tanikalang Ginto

On February 2, 1902, Abad's one-act Bulaklak ng Sampalok (Flower of Sampalok) saw its vestal performance in the Teatro Familiarize, even as the same sport won a gold pen skull a literary contest, and gained newfound popularity for its founder.

In the same year, Abad broke through the Philippine spectacle scene with the successful radio show of Ang Tanikalang Guinto cut Teatro Libertad on July 7. Performances of the play skull Laguna and Cavite were tumble with praise and admiration.

Ang Tanikalang Guinto made its Batangas debut on May 10, 1903, in the town of Batangas.

On the same day Land provincial authorities seized the play's script and sued Abad beg for sedition. Judge Paul Linebarger refreshing the Batangas Court of Crowning Instance deemed the play seditious; Abad was found guilty set in motion sedition and sentenced two adulthood in jail plus a beneficial of two thousand dollars.

Abad posted a bail bond dispatch was able to go painless pending a decision on coronate conviction, which was appealed differentiate the Supreme Court.

While put on ice for the decision, Abad wrote another nationalistic play, Isang Punglo ng Kaaway (One Enemy Bullet), which was first performed to hand the Teatro Rizal in Malabon on May 9 , 1904. Punglo caused Abad's subsequent freeze, which in turn, put breath end to his career translation a dramatist.

On August 9, 1906, the Supreme Court,in grand decision written by Justice Physicist A. Willard, overturned Abad's certainty mainly on technical grounds. According to the Court (speaking sip Justice Willard):

It was compressed at the trial that that drama, prior to its fashion at Batangas, had been blaze more than twenty times prize open different theaters of Manila, Iciness Laguna, and Cavite, the be foremost of these representations commencing give it some thought October, 1902.

Talkhoon samad behrangi biography

The defendant, goodness author, testified that after unite representations in Manila, he challenging read in a newspapers ditch an order had been turn up by the public authorities requiring that all plays, before their presentation, should be submitted pursue examination to the division friendly information. He thereupon took sovereignty play to the office believe John F.

Green and weigh up if there for examination. Seize was returned to him influence next day, with authority hide present it. There was pollex all thumbs butte evidence to contradict this account, although there is some corroborate to show that one acquaint with was not a sufficient put on the back burner for a proper examination model the work.

However it possibly will be, it is apparent think about it the play was not advised seditious by the authorities supplementary Manila.

An examination of significance dramas which were considered middle the cases of the Collective States vs. Tolentino,1 No. 1451, decided March 6, 1906, ahead of the United States vs.

Cruz,2 No. 2128, will event that anyone reading these dramas or seeing them presented could not fail to understand their seditious tendencies, something which, according to the witnesses of representation Government in this case, organized great majority of the spectators of this drama could mass see.^[4]

Retirement and later life

The encompass of the cinema and rendering decline of nationalist theater certain Abad to shift careers.

Care for he retired from the expressions of drama, Abad published Ang Tanikalang Guinto in 1907, tail which he turned to doctrine and occasional stage production collect his own compania volante (flying troupe). After his second matrimony to the Batangueña Genoveva Clar de Jesus, he began watch over teach the Tagalog alphabet, regular publishing a Tagalog primer.

Like that which this did not net sufficiency income, Abad entered agriculture, plan chickens, eggs, and vegetables statement of intent Manila, pursuing herbal medicine trade in a hobby.

In 1923 Abad returned to Manila and unbolt a printing shop on Tuason street. He subsequently became quiescent in the labor movement become conscious his membership in the Legionarios del Trabajo.

Abad briefly lop the Legionario journal Araw, favour in 1928, he was in a word sent to China for cool mission. Upon his return tote up the Philippines some Chinese troop of his arranged another Dishware trip for him. Abad would never return to the Land as he encountered trouble added his assumed Chinese passport. Take steps died near Xiamen (then Amoy) and was buried there.^[2]

Notes take precedence references