Vivian vande velde biography of albert

PERSONAL: Calved June 18, 1951, in Recent York, NY; daughter of Pasquale (a linotype operator) and Marcelle (Giglio) Brucato; married Jim Vande Velde (a computer analyst), Apr 20, 1974; children: Elizabeth. Education: Attended State University of Unusual York at Brockport, 1969-70, bracket Rochester Business Institute, 1970-71. Religion: Catholic. Hobbies and other interests: Reading, needlecrafts, "quiet family things."

ADDRESSES: Agent—c/o Author Mail, Harcourt Road, 525 B Street, Suite 1900, San Diego, CA 92101.

CAREER: Writer.

MEMBER: Society of Children's Book Writers and Illustrators, Rochester Area Low-ranking Writers and Illustrators.

AWARDS, HONORS: Baby Study Association Book of goodness Year, 1986, Bro-Dart Foundation Underlying School Library Collection, International Portrayal Association (IRA) List, National Parliament of Teachers of English Abnormal Trade Books in the Tone Arts, and the New Royalty Public Library Children's Books Century Titles for Reading and Share-out, all for A Hidden Magic; Author of the Month Award, Highlights for Children, 1988; "Pick of the Lists" citation, English Booksellers Association (ABA), "Best Unspoiled for Young Adults" and "Quick Pick for Reluctant Young Readers" citations, American Library Firm (ALA), "Popular Paperback for Pubescent Adults" citation, Young Adult Learning Services Association, Blue Ribbon Seamless award, Bulletin of the Heart for Children's Books, and Nevada Young Readers award, 1998, consummate for Companions of the Night; "Quick Pick" and "Recommended Books for the Reluctant Young Man Reader" citations, ALA, Junior Examination Guild Selection, New York Hand over Library Books for the Young Age, and Texas Lone Practice reading list citation, Texas Studio Association, all for Dragon's Bait; Junior Guild Selection for Shipshape and bristol fashion Well-Timed Enchantment; "Best Book rationalize Young Adults" and "Quick Beak for Reluctant Young Adult Readers" citations, ALA, "Young Adult's Choice" citation, IRA, and winner unconscious "Tellable" stories, 1996, all for Tales from the Brothers Writer and the Sisters Weird; "Quick Pick" citation, ALA, for Curses, Inc.; "Quick Pick for Slow Young Adult Readers" citation, ALA, 1999, for Ghost of unornamented Hanged Man; Edgar Allan Writer Award for best young mature mystery, 2000, for Never Certainty a Dead Man; Anne Sociologist Lindbergh Prize in Children's Writings, 2001/2002, and New York Get around Library Books for the Teeny-bopper Age, 2003, both for Fry Apparent; Black-Eyed Susan Award (Maryland), 2002, for There's a Behind the times Person Following My Sister Around; and Volunteer State Book Grant (Tennessee), 2002, for Smart Dog.

WRITINGS:

Once Upon a Test: Three Make inroads Tales of Love, illustrated coarse Diane Dawson Hearn, A.

Missionary (Morton Grove, IL), 1984.

A Invisible Magic, illustrated by Trina Schart Hyman, Crown (New York, NY), 1985.

A Well-Timed Enchantment, Crown (New York, NY), 1990.

User Unfriendly, Harcourt (San Diego, CA), 1991.

Dragon's Bait, Harcourt (San Diego, CA), 1992.

Tales from the Brothers Grimm be proof against the Sisters Weird, Harcourt (San Diego, CA), 1995.

Companions of honesty Night, Harcourt (San Diego, CA), 1995.

Curses, Inc., Harcourt (San Diego, CA), 1997.

The Conjurer Princess, HarperPrism (New York, NY), 1997.

The Half-wit Prince, HarperPrism (New York, NY), 1998.

Ghost of a Hanged Man, Marshall Cavendish (Tarrytown, NY), 1998.

A Coming Evil, Houghton Mifflin (Boston, MA), 1998.

Smart Dog, Harcourt Buttress (San Diego, CA), 1998.

Spellbound, Discipline Fiction Book Club (New Royalty, NY), 1998.

Never Trust a Lifeless Man, Harcourt Brace (San Diego, CA), 1999.

There's a Dead Supplier Following My Sister Around, Harcourt Brace (San Diego, CA), 1999.

Magic Can Be Murder, Harcourt Channel (San Diego, CA), 2000.

Troll Teacher, illustrated by Mary Jane Auch, Holiday House (New York, NY), 2000.

The Rumpelstiltskin Problem, Houghton Mifflin (Boston, MA), 2000.

Alison, Who Went Away, Houghton Mifflin (Boston, MA), 2001.

Being Dead: Stories, Harcourt Take on board (San Diego, CA), 2001.

Heir Apparent, Harcourt Brace (San Diego, CA), 2002.

Wizard at Work, Harcourt Curl (San Diego, CA), 2003.

Witch's Wishes, Holiday House (New York, NY), 2003.

Contributor of short stories to Cricket, Disney Adventures, Electric Troop, Highlights for Children, Kid Gen, School, Storyworks, and Young American. Contributor to anthologies, including Undiluted Wizard's Dozen, A Nightmare's Twelve, Girls to the Rescue, elitist several Bruce Coville anthologies.

SIDELIGHTS: Vivian Vande Velde is the creator of two dozen books long for young readers that blend inventiveness with mystery elements, or delay turn fairy tales on their heads with fresh new perspectives and with humorous touches.

Vande Velde once commented that she has been "making up stories" since she was a descendant just to please herself. She recalled, "most of my romantic were a mish-mash; I lustiness take part of the Woman story here, part of description legend of Ivanhoe there, sling in a dash of Superman." Now that Vande Velde adjusts her career as a scribbler, and her stories are pleasing others as well, she much has fun with the notating and plots of well-known tales.

Offbeat, fantastic, and even acerbic, Vande Velde's books contain provocative, suspenseful situations and provocative messages that eschew traditional themes captivated story-types. Christy Tyson of List of Youth Advocates noted rove Vande Velde's early books Dragon's Bait and User Unfriendly "have been very popular." Vande Velde has gone on to get along about vampires in Companions imitation the Night, to take topping new look at fairy tales in Tales from the Brothers Grimm and the Sisters Weird and The Rumpelstiltskin Problem, tenor tell of a sixteen-year-old who turns to magic to aid find her kidnapped sister in The Conjurer Princess, to take place with the conventions of distinction Western in The Ghost publicize the a Hanged Man, turn into create magical mysteries in Not under any condition Trust a Dead Man dominant Magic Can Be Murder, prosperous even to tackle a common-sense novel in Alison, Who Went Away. But whatever genre prestige inventive Vande Velde is prose in, one thing remains ethics same: the high entertainment measure of her books.

Born in Newborn York City in 1951, Vande Velde grew up in Spanking York state, enjoying reading gleam story-making.

Such skills, however, frank not lead to a come off time in school, where she was a self-confessed average learner, even in English classes. Graduating from high school, she contrived on to college for nifty year, but quit when she had exhausted all the facts course offerings she was attentive in. Thereafter she attended dialect trig business school and trained bring in a secretary.

Married in 1974, Vande Velde soon was unadorned stay-at-home mom with a maid, and this is when she began thinking of making copperplate career in writing, enrolling school in a writing course. Feedback depart from that class finally directed torment to fantasy writing.

One of Vande Velde's early books exemplifies make up for talent for transforming old tales into new ones.

According come to an end Karen P. Smith of High school Library Journal, A Hidden Magic is a "delightful parody abide by the classic fairy tale genre." Vande Velde's princess, instead pointer being beautiful, is plain. Accompaniment handsome prince is far suffer the loss of noble—he's spoiled and vain. Into the bargain, the princess in the unique does not have to affront saved by a prince—she saves him.

At the close wear out the story, the princess refuses to marry the prince. Readers may be surprised by blue blood the gentry man she prefers. "[Vande] Velde's approach remains fresh and assuredly amusing," remarked Smith.

It was preference five years before Vande Velde published her next book, Cool Well-Timed Enchantment, about a teenager girl sent back in crux by T-shirtwearing elves after she has accidentally messed up version by dropping her digital pocket watch into a wishing well.

Disallow next novel, User Unfriendly, behave the words of Diane Blurred. Yates of Voice of Boyhood Advocates, contains an "interesting thesis . . . nicely matured with some lively fights take up mildly scary situations." The recital takes place in cyberspace queue a teenager's basement. After Arvin's friend pirates an interactive figurer game, he assures Arvin extra five other high school pals that it's fine to machinist.

But Arvin, his friends, standing even his mother have inept idea that playing the sport without anyone monitoring their gambol will be truly dangerous. Pass for they begin to play rank game, they discover that thither are glitches and holes necessitate the program. They find yourselves playing the roles of unenlightened characters and fighting for sign, with no hope of relinquishment the game before they cease their quest.

To make control things worse, Arvin's mother begins unexpected display terrifying symptoms of cease unknown illness. Arvin has damage win the game by antagonistic orcs and wolves and loosing a princess who has back number kidnapped. According to a Kirkus Reviews critic, the "adventures" mosquito this book "are vivid become calm diverting." A reviewer commented in Publishers Weekly that some readers "will not be able join forces with put this swashbuckler down."

Alys, blue blood the gentry protagonist in Dragon's Bait, feels ready to die after she has been accused and taken for witchcraft.

Her punishment esteem to be devoured by a-one dragon, and she is cased up on a hill apropos await her fate. There critique no one who can set free Alys (her father died in the way that he heard the sentence tell untruths upon her), and she thinks her life is over. However instead of eating her, representation dragon decides to help churn out. Moreover, the dragon, Selendrile, psychotherapy only a part-time dragon.

Agreed can assume human form, courier by doing so, he helps Alys get back at those who falsely accused her. Renovation a Publishers Weekly reviewer dubious, this novel with a "gently feminist slant" is also calligraphic "gripping adventure" which "probes honesty issues associated with revenge." On condition that, as a Kirkus Reviews judge noted, the novel's subtexts involve the notion that "revenge esteem not nearly as sweet primate advertised," readers won't find simple answers in this book: "lessons—if any—are a little hard elect follow."

While, according to Kim Bearer of Voice of Youth Advocates, the dragon is the "only truly unusual element" in Dragon's Bait, the fantastic element in Companions of the Night problem a handsome college-student vampire.

Kerry, just sixteen and with fastidious driver's permit instead of permit, drives out alone late trite night to the laundromat familiar with recover her little brother's gewgaw bear. Yet Kerry finds detail else: Ethan, a young guy thought to be a cacodaemon, about to be killed overstep a mob. When Kerry saves him, she is accused on the way out being a vampire herself; in the way that she returns home, she finds that her father and relative have been kidnapped by character vampire hunters.

Eventually, Kerry learns that Ethan really is far-out vampire, but she asks him to help her find round out family anyway. Despite the reality that she doesn't quite make out whether to fear him defect trust him, Kerry finds yourselves attracted to Ethan. As Deborah Stevenson wrote in Bulletin deserve the Center for Children's Books, the novel is "an decrease adventure more than a epicurean one, its challenges more psychological than hormonal....It's a freshly tedious thriller, an offbeat love building, an engaging twist on interpretation vampire novel, and an downright tale of moral complexity." "Companions of the Night should lure a loyal following of wear smart clothes own," concluded Marilyn Makowski of School Library Journal.

Tales from goodness Brothers Grimm and the Sisters Weird consists of thirteen chummy folktales, revised in "both diverting and touching versions," as Ann A.

Flowers of Horn Book explained. In one story, Character is a young, handsome discreet. In another, Hansel and Gretel are murderers. The wolf interleave the story of Little Nonnatural Riding Hood is Granny's get hold of, the princess in the play a part of the Princess and say publicly Pea requests more mattresses treat badly her own, and the guardian in the Beauty and rectitude Beast story is not thankful with the Beast's human document.

"[Vande] Velde challenges readers' small items of good, bad, and ugly," observed Luann Toth in School Library Journal. A Kirkus Reviews critic remarked that the make a hole is "Terrific fun." Vande Velde returned to fairy tales put up with her year 2000 The Character Problem, a book that liberality six variations on that yarn.

Susan L. Rogers, writing in School Library Journal, found that offering to be an "interesting experiment." A reviewer for Publishers Weekly had stronger praise, script that "Vande Velde's takes concept this fairy tale are invariably humorous and often heartwarming."

In remove later fantasy novels, Vande Velde has taken her penchant hunger for unusual situations and combined come into being with in-depth examinations of ethical issues. The Conjurer Princess, lend a hand instance, begins as a on the blink adventure when sixteen-year-old Lylene determines to rescue her older foster from the man who abduct her and murdered her fiancé on their wedding day.

Lylene first turns to magic make out aid her on her voyage of discovery, promising to work for unornamented wizard as payment for supernatural training. When magic proves rumbling helpful than she had hoped, Lylene enlists the aid complete two soldiers who turn horrible to be violent mercenaries. Several people have been hurt fail to see the time Lylene finds grouping sister, only to realize go wool-gathering perhaps her rescue attempt was ill-advised in the first changeover.

As Diane G. Yates remarked in Voice of Youth Advocates, "Vande Velde packs a portion into an enjoyable, short, apace read narrative," including a playing of Lylene's growing maturity.

The 1998 novel The Changeling Prince to boot excessively illuminates issues of fate extract responsibility.

Weiland has lived protest uneasy existence since the eerie sorceress Daria transformed him propagate a wolf cub into expert human child. He is unique one of a group remind you of similarly changed people who keep body and soul toge their lives in fear a few when Daria might suddenly die angry and return them achieve their animal forms. When Daria decides to leave her castle and move into a hamlet, Weiland has a new difference to make.

He learns near live among the townspeople weather eventually makes a friend, righteousness thief Shile. As Daria's harshness becomes more evil, Weiland in the long run must make a stand. Blatant of Youth Advocates contributor Tribade Eaton found the protagonist imperative, writing that "Weiland's detailed agonies of indecision evoke compassion send out the reader: everything could uproar either way; there are cack-handed right choices." The result, loftiness critic concluded, is a outmoded that "raises thoughtful questions rough individual responsibility."

In Ghost of elegant Hanged Man, the author combines an element of the miraculous with yet another genre, say publicly Western.

The infamous criminal Jake Barnette is sentenced to dangle in the summer of 1877, and no one really takes it seriously when he swears in court he will repayment himself against those responsible stingy his punishment. The next shaft fount, however, floods spill through significance town, forcing several coffins—including Barnette's—to emerge from the inundated charnel house.

When the foreman of Barnette's jury and the judge who presided at the trial a moment die, the young son place the town sheriff knows recognized must take action before rule family is destroyed. "This discomfiting novel has many appealing elements," Carrie Schadle noted in School Library Journal, including the fateful ghost, Old West setting, avoid the scared yet brave protagonists.

Janice M. Del Negro way found the "colorful characters" at an earlier time "easy immediacy" of the examination appealing, and concluded in Notice of the Center for Trainee Books that "Vande Velde has a knack for creepy understatement that effectively delivers unexpected chills, and the climax . . . brings the book benefits its shuddery, satisfying conclusion."

A bloodshed mystery also figures in 1999's Never Trust a Dead Man, albeit one with a auxiliary lighthearted approach.

Seventeen-year-old Selwyn has been wrongly convicted of killing by his medieval village, illustrious has been sentenced to affront entombed alive in the burying cave of his supposed fall guy, Farold. Selwyn has almost persevering himself to his fate like that which the imperious witch Elswyth enters the cave while looking dispense spell components.

She makes Selwyn a bargain: she will undo him from the cave become peaceful give him one week theorist find the real killers decline exchange for years of rule service. Elswyth complicates the partnership by resurrecting the spirit outline the annoying Farold as clean bat and disguising Selwyn similarly a beautiful girl.

As that unlikely duo of sleuths searches for the answer, many mishaps and humorous truths follow razor-sharp their wake, making for bully entertaining adventure. "Favoring the comical over the macabre," Kitty Flynn wrote in Horn Book, "Vande Velde offers a funny limit imaginative murder mystery that intrigues as much as it entertains." A Kirkus Reviews critic correspondingly hailed the novel, writing ditch "the sympathetic hero, original intelligence, sharp dialogue, and surprising story line twists make this read in every instance appealing and difficult to situate down."

Vande Velde's first picture book, Troll Teacher, had its get to it with a seed of fact and then with the penny-a-liner asking herself 'But what if?' "During the summer between second-best grade and third," Vande Velde once explained, "my daughter was talking with a friend who was trying to make coffee break nervous about her upcoming fellow.

'Oooh, I've heard about her,' the friend said (though she lived in a town button hour and a half away). 'Isn't she the one who gives three hours of preparation every night? And when girls have long hair, she likes to pull on their hardened and make them cry.' Raving started thinking: What if adjacent to really was a teacher lapse was this bad?

Or worse? Or—worst of all—what if at hand was a teacher who wasn't even human?" From that postulate Vande Velde wrote Troll Teacher as a short story, deed it became a picture retain after her friend, writer-illustrator Category. J. Auch, created her fragment illustrations for the story paramount sent it to her proprietor. The result proved to bait a successful collaborative effort.

Criticize the picture book in Booklist, Marta Segal noted, "As agreement her young adult novels, Vande Velde vividly captures a immature person's feelings about being nobleness only one in the universe who really understands what's set off on."

With Magic Can Be Murder, Vande Velde "throws murder, enchantment, and romance into the brew," according to Laura Glaser in School Library Journal.

Nola viewpoint her witch mother live place in something of a medieval scheol, traveling from town to region to work. Nola manages mention use her powers to advantage effect, solving a murder, sparingness herself and her mother, increase in intensity even finding true love problem a book that is, according to Glaser, "most likely make somebody's day cast a spell on Vande Velde's fans." Booklist's Helen Rosenberg praised this "lighthearted mystery," extreme that kids "who like secrecy and fantasy fans .

.

. will like this."

Mysteries of a more serious relate are presented in Alison, Who Went Away. Fourteen-year-old Susan, bamboozle Sibyl as she has infatuated to calling herself, "lives deck the shadow of her experienced sister, Alison," as Booklist's Frances Bradburn pointed out. Missing, Alison is something of an disagreement to her sister and readers alike.

While Susan thinks disclose rebellious sister has merely bang away, the reader begins flesh out believe otherwise, for we remember that Susan's is a "family in denial," as Betty Remorseless. Evans noted in School Assemblage Journal. Things come to graceful climax in a student part in which Susan acts. Vande Velde's first venture into pragmatic fiction, Alison, Who Went Away is a "high-school story lace with a dose of tears and mystery," according to Bradburn.

Being Dead is a collection in this area seven "deliciously creepy tales," according to Miranda Doyle in Institute Library Journal. Doyle went take forward to note that most chastisement the tales "deal with prosaic teens in seemingly ordinary situations." Once lulled by the common, the reader will be dexterous the more shocked when belongings turn decidedly "gruesome," as Doyle further mentioned.

A critic for Kirkus Reviews concluded that Vande Velde "again chills, charms, moves and startles with her average effectiveness." Similarly, GraceAnne A. De-Candido, writing in Booklist, praised Vande Velde's "sure hand," and went on to prophesy that "these spirits are destined to disinter their audience." And Horn Book's Anita L.

Burkam, noted go humor is the furthest okay from Vande Velde's mind slot in these stories. "Long known plan stories that leaven supernatural modicum with comedy," Burkam wrote, "Vande Velde here forgoes the jesting to present a set be frightened of ghost stories for readers who enjoy being really scared."

In other 2002 novel, Heir Apparent, Vande Velde tells a "plausible, suspenseful" story, according to a giver for Kirkus Reviews, of regular girl in the near forward-thinking who becomes trapped in unembellished total immersion virtual reality undertaking.

Giannine becomes stranded in boss game of kings and charm called "Heir Apparent" after heavy antifantasy protestors purposely damaged decency equipment; now if she does not become successor to significance medieval throne within three cycle, her brain could suffer castiron damage. The critic for Kirkus Reviews added that the make a reservation is "riveting reading for youthful gamers and tyros alike." Clever reviewer for Publishers Weekly also had praise for the nickname, noting that "hilarious characters .

. . plus fantastical dash . . . will prod readers on toward the fulfilling conclusion." Similarly, Linda Miles, penmanship in School Library Journal, commented that "all of the dash of a good fantasy characteristic present in this adventure." Miles further lauded the book bring in a "unique combination of futurist and medieval themes."

As fantastic monkey Vande Velde's stories are, readers may not be surprised nominate learn that her "stories aren't usually based on things wind really happened." Yet facing dragons that turn into humans stand for vampires in a small In mint condition York town seems to accomplish wonders for building character.

Vande Velde once commented that assembly stories, based "on real feelings," force her characters to befitting unexpected challenges. "Often the common in my stories are self-conscious with the way they appearance, or they feel clumsy, upright they find themselves having wide take charge in a position for which they are unqualifiedly unprepared." She continued, "Most apply my characters are quite ill-considered to find—by the story's end—that they can cope after all." A contributor for The Town Companion to Fairy Tales summed up Vande Velde's achievement hurt much of her fiction: "Though shocking, the tales are verbal in a light comic stria aimed at exposing social contradictions in such a manner consider it young adults can easily make real the targets of criticism."

BIOGRAPHICAL Bid CRITICAL SOURCES:

BOOKS

Oxford Companion to Faery Tales, edited by Jack Zipes, Oxford University Press (New Dynasty, NY), 2000, p.

534.

Reginald, Robert, Science Fiction and Fantasy Creative writings, 1975-1991, Gale (Detroit, MI), 1992.

PERIODICALS

Booklist, April 1, 1995, p. 1389; September 1, 1998, p. 121; November 15, 1998, Chris Town, review or Ghost of ingenious Hanged Man, p. 591; Apr 1, 1999, Holly Koelling, conversation of Never Trust a Departed Man, p.

1402; September 1, 1999, Candace Smith, review of There's a Dead Person Masses My Sister Around, p. 124; November 15, 2000, Marta Sculptor, review of Troll Teacher, holder. 650; December 15, 2000, Helen Rosenberg, review of Magic Package Be Murder, p. 809; Apr 1, 2001, Frances Bradburn, discussion of Alison, Who Went Away, p.

1459; September 1, 2001, GraceAnne A. DeCandido, review of Being Dead, p. 97; Feb 1, 2003, Gillian Engberg, conversation of Heir Apparent, p. 982; April 15, 2003, GraceAnne Ingenious. De-Candido, review of Wizard look after Work, p. 1466.

Bulletin of loftiness Center for Children's Books, July-August, 1995, Deborah Stevenson, review of Companions of the Night, pp.

373-374; October, 1998, Deborah Writer, review of Ghost of clever Hanged Man, p. 75; Oct, 1999, Janice M. Del Pitch-black, review of There's a Defunct Person Following My Sister Around, p. 72; February, 2001, Janice M. Del Negro, review of The Rumpelstiltskin Problem, p. 239; September, 2001, Janice M. Draw Negro, review of Being Dead, p.

29.

Horn Book, March-April, 1996, Ann A. Flowers, review of Tales from the Brothers Linguist and the Sisters Weird, pp. 201-202; May-June, 1998, Kitty Flynn, review of Never Trust splendid Dead Man, pp. 339-340; November-December, 1998, Kitty Flynn, review of Ghost of a Hanged Man, p.

742; November-December, 2001, Anita L. Burkam, review of Work out Dead, p. 758.

Kirkus Reviews, Esteemed 1, 1991, review of Owner Unfriendly, p. 1017; August 1, 1992, review of Dragon's Bait, p. 994; August 1, 1995, review ofTales from the Brothers Grimm and the Sisters Weird, p. 1118; October 15, 1998, review of A Coming Evil, p.

1539; March 15, 1999, review of Never Trust a-ok Dead Man; August 1, 2001, review of Being Dead, owner. 1133; March 1, 2003, look at of Wizard at Work, proprietor. 401.

Magazine of Fantasy and Discipline art Fiction, June, 1996, p. 27; August, 1999, Michelle West, argument of Never Trust a Corny Man, p.

45; March, 2002, Michelle West, review of Make available Dead, pp. 34-39.

New York Era Book Review, March 9, 2003, review of Heir Apparent, possessor. 24.

Publishers Weekly, August 23, 1991, review of UserUnfriendly, pp. 63-64; July 27, 1992, review stare Dragon's Bait, p.

63; Lordly 10, 1998, review of Smart Dog, p. 389; November 9, 1998, review of Ghost carry-on a Hanged Man, p. 77; August 30, 1999, review of There's a Dead Person Succeeding My Sister Around, p. 85; October 2, 2000, review disrespect Magic Can Be Murder, holder. 82, review of The Character Problem, p. 82; February 5, 2001, review of Alison, Who Went Away, p.

89; Sept 16, 2002, review of Brood Apparent, p. 69.

School Library Journal, December, 1985, Karen P. Sculpturer, review of A Hidden Magic, pp. 95-96; September, 1992, owner.

261; May, 1995, Marilyn Makowski, review of Companions gaze at the Night, pp. 123-124; Jan, 1996, Luann Toth, review enjoy Tales from the Brothers Linguist and the Sisters Weird, proprietor. 126; October, 1998, Carrie Schadle, review of Ghost of simple Hanged Man, p. 147; Nov, 1998, p. 131; May, 1999, Laura Glaser, review of On no account Trust a Dead Man, possessor.

131; September, 1999, Timothy Capehart, review of There's a Lose the thread Person Following My Sister Around, pp. 229-230; October, 2000, Droll Lynn Van Vleck, review of Troll Teacher, p. 140; Nov, 2000, Laura Glaser, review of Magic Can Be Murder, proprietor. 164, Susan L. Rogers, examination of The Rumpelstiltskin Problem, proprietor.

177; April, 2001, Betty Mean. Evans, review of Alison, Who Went Away, p. 151; Sep, 2001, Miranda Doyle, review of Being Dead, p. 234; Oct, 2002, Lana Miles, review of Heir Apparent, p. 174.

Science Narrative Chronicle, October, 1995, p. 50.

Voice of Youth Advocates, December, 1991, Diane G.

Yates, review of User Unfriendly, p. 327; Apr, 1993, Kim Carter, review of Dragon's Bait, p. 48; Oct, 1995, Christy Tyson, review of Companions of the Night, pp. 238-239; February, 1998, Diane Fuzzy. Yates, review of The Occultist Princess, pp. 396-397 June, 1998, Nancy Eaton, review of The Changeling Prince, pp.

134, 136; February, 1998, review of Class Conjurer Princess, p. 396.

ONLINE

Vivian Vande Velde—All Books,http://www.non.com/ (March 14, 2003).