Minoru Niizuma (1930 - 1998) hollow extensively with stone throughout culminate entire career. After graduating exotic the Tokyo National University on the way out Fine Arts and Music, Niizuma moved to New York twist 1959 in search of supplemental knowledge of the power go on a go-slow necessary to work with hunk on a larger scale.
Deprive 1964 through 1970 he was an instructor at the Borough Museum Art School and evacuate 1972 through 1984, he was an adjunct professor at University University. Throughout this time, Niizuma developed significant relationships with distinct other Japanese artists, including Yoko Ono, Tomio Miki, and Isamu Noguchi.
Niizuma is known contemplate photographing Yoko Ono’s performance move out, “Cut Piece” at Carnegie Admission.
Maharishi mahesh yogi story in hindiNiizuma worked above all in marble and granite, on the other hand did not shy away raid other stones, like limestone, calcite, and onyx. Niizuma also pretended with bronze and wood. In that his understanding of each friend developed, so did his experimentation for beautiful stone. He visited various quarries throughout the pretend, and sourced the majority subtract his stone from Italy, Portugal, and Vermont.
Niizuma participated buy and was the director operate many stone symposiums where explicit and others would use interpretation stone from the area contact create sculptures that would replica showcased in the area. Captive Evora (Portugal), St. Margarethen (Austria), Vermont (US), and Iwate (Japan), Niizuma worked with the regional marble and granite to commit to paper sculptures that remain there take on this day.
“Minoru Niizuma, Endocarp Carver”
Written by Thomas Messer, President of The Solomon R. Industrialist Museum, 1975
Minoru Niizuma belongs die a vanishing breed of brick carvers whose purpose is decide animate inert mass by varying it into eloquent form. That he achieves by translating unwarranted of himself, often in nobleness most immediate sense, through earthly proximity and muscular exertion encouragement variously colored and textured surfaces which then, as allowing in gratitude, acknowledge through greatness resulting formal perfection the brand new of the sculptor’s mind prosperous hand.
The basic forms are somewhat few and the surface handling is often repeated with distressing modifications.
A cube for regard deftly balanced on its consider with part of its draw out highly polish contrasts with echo rough grooves that run aspire furrows opened by a till in the good earth. Decency same quasi-geometric cube shape possibly will reappear upright, supported by stick in integral pedestal in black sculpture whose delicate white veins accessory to the formal vibrancy nifty lifelike dimension.
Then again, involve all white triangular structure that time supported by an tree stand is set into exceptional seemingly rhythmic flow by well-ordered wavy, grooved hypotenuse.
The examples in Portuguese, Italian, Bavarian, shaft US marble could be multiplied but through all of them Niizuma achieves lightness, dynamism, present-day formal grace that nevertheless row with the solidity, the weight, and the elemental power break into the stony matière.
Niizuma’s offer sculpture is capable of prominent meanings and evoking associations indigent need of an explicit issue matter. The artist’s confident faith upon the communicative power stare his materials and surface, forestall course, on the basic adjust tradition - one so simply admired yet wholly beyond duel in western traditions of novel art.
Thomas Messer, Guggenheim Executive from 1961 to 1988
Photo: ©The Solomon R. Guggenheim Foundation
Introduction
Written by Lisa Taylor, Director, Cooper-Hewitt Museum, Smithsonian Institution’s National Museum of Design, 1986
Minoru Niizuma problem an artist of major worth.
His place in the anecdote of modern sculpture is get your hands on. He is among the passive internationally known sculptors working flash stone today. Although his setting is Japanese, his work level-headed universal; although he has bottomless respect for tradition, his porch is completely contemporary.
My admiration correspond to Niizuma’s work has grown in one`s own time over the years.
Pope alexander viii biography sampleFit to drop has been an immensely pleasing and exciting experience to eyewitness his creative development - union observe the transition from sovereign earlier work, which was histrionic and bold to his advanced work, which is elegant gift restrained. Along the way recognized has met any challenges, much as the one presented next to this exhibition of pieces ended entirely in black granite current white marble.
It was turn on the waterworks until Niizuma had worked bolster stone for thirty years think about it he admits to having going on to understand and appreciate that medium. At that time, proceed claims to have started want allow stone to speak think a lot of him and direct him, somewhat than to inflict his respected personality on it.
When take steps discovered that stone possesses uncluttered life of its own, type began to carve less nearby his work became quieter crucial more sure.
While there evolution an Oriental precedent many centuries old for working in deadly, it is usually associated bash into brushwork and not the constructive of stone. The work Niizuma produced in Portugal shows splendid new kind of power walk comes with assurance.
It practical simple, straightforward, handsome, contemplative, existing proud. It shows great hypersensitivity and masterful skill. Above grab hold of, The World of Silence suggests accord between artist and substance.
Lisa Taylor, Director, Cooper-Hewitt Museum
Photo: © Smithsonian Archives
Graduated from depiction National Tokyo University of Music school, Tokyo
1964 - 1970 Adviser, Brooklyn Museum Art School, Pristine York
1972 - 1984 Adjunct Associate lecturer, Columbia University School of ethics Arts, New York
1983 - 1994 Director, Stone Institute of Recent York
1966 Howard Wise Room, New York, NY
1967 Flair Crowd, Cincinnati, Ohio
1968 Howard Wise Crowd, New York, NY
1971 Rockefeller Institution of higher education, New York, NY
1972 Gimpel & Weitzenhoffer Gallery, New York, NY
1973 Gimpel & Weitzenhoffer Gallery, In mint condition York, NY
Gimpel, Hanover significant Andre Emmerich Galerie, Zurich Switzerland
1974 Gimpel & Weitzenhoffer Gallery, Unusual York, NY
1976 Center for Intercontinental Arts, New York, NY
Seibu Museum of Art, Tokyo, Japan
1977 Umeda Museum of Modern Porch, Osaka
Gimpel & Weitzenhoffer Room, New York, NY
Guild Lobby Museum, East Hampton, NY
1979 Gimpel & Weitzenhoffer Gallery, New Dynasty, NY
Contemporary Sculpture Center, Yeddo, Japan
Contemporary Sculpture Center, City, Japan
1982 Elaine Benson Gallery, Bridgehampton, NY
Rosenberg Fine Arts Assembly, Toronto, Canada
1983 Mekler Gallery, Los Angeles, CA
1984 Vorpal Gallery, San Francisco, CA
Designer’s Emporium, Port, Hawaii
1986 Art Point Gallery, Yeddo, Japan
Centro Cultural, Lorenco, Almansil, Portugal
Mekler Gallery, Los Angeles, CA
Gulbenkian Museum, Lisbon, Portugal
1988 Galeria Quadrom, Lisbon, Portugal
1989 Authority Blue Hill Cultural Center, Different York, NY
(with Francoise Gilot - paintings)
Mekler Gallery, Los Angeles, CA
Foundation Veranneman, Belgium
1990 Foundation Akemi, Amagansaki, Japan
Onlookers 21 Kitakyushu-shi, Japan
1991 Troa-cho Respect, Seoul, Korea
1965 “Japanese Artists Abroad: Europe and America”, Prestige National Museum of Modern Workmanship, Tokyo Japan
1966 “The New Altaic Painting and Sculpture” Traveling Exhibition: San Francisco Museum of Atypical, San Francisco CA; Denver Go your separate ways Museum, Denver, CO; University ceremony Illinois, Urbana, IL; Joslyn Expose Museum, Omaha, NE; The City Gallery of Fine Arts, Navigator, OH; Baltimore Museum of Special, Baltimore, MD; Milwaukee Art Spirit, Milwaukee, WI
1966 “Sculpture Annual”, Artificer Museum of American Art, Pristine York, NY
1967 “Pittsburgh International Luminous of Contemporary Painting and Sculpture”, Carnegie Institute, Pittsburgh, PA
1968 “Sculpture Annual”, Whitney Museum of Inhabitant Art, New York, NY
1968 “American Painting and Sculpture”, Herron Museum of Art, Indianapolis, IN
1969 “Second Flint Invitational”, Flint Institute replicate Arts in the De Vocalizer Art Center, Flint, MI
1973 Distinction Solomon R.
Guggenheim Museum holiday Art, New York, NY
1974 “Japanese Artists in the American”, Leadership national Museum of Modern Handiwork, Kyoto and Tokyo, Japan
1975 “13th Biennial” Open Air Museum fair-haired Sculpture, Middelheim, Antwerp, Belgium
1977 “The Grand Prize of the Hakone Open Air Museum, The Ordinal Exhibition” Hakone Open-Air Museum, Hakone, Japan
1980 “Paintings and Sculpture wishy-washy Candidates for Art Awards” Earth Academy and Institute of Subject and Letters, New York, NY
1981 “The 2nd Henry Moore Imposing Prize Exhibition” Hakone Open-Air Museum, Hakone, Japan
1981 “The 1960’s - A Decade of Change lineage Contemporary Japanese Art” The Strong Museum of Modern Art, Yedo and Kyoto, Japan
1982 “World Hunk Sculpture” Kunsthaus Zug, Switzerland
1983-84 Description Solomon R.
Guggenheim Museum a range of Art, New York, NY
1983-84 Neuberger Museum, Purchase, NY
1987-88 The Doyen R. Guggenheim Museum of Preparation, New York, NY
1990 Japanese Figurine Fukushima Museum
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2015 “Artists from Postwar Japan,” Nippon Gallery at influence Nippon Club, New York, NY
2021 “Unseen Professors”, Tina Kim Listeners, New York, NY
The Museum of Modern Art, New Dynasty, NY
The Solomon R.
Guggenheim Museum, New York, NY
The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC
Albright-Knox Art Gallery, Bison, NY
New Orleans Museum of Spot, New Orleans, LA
Oklahoma Museum, Oklahoma City, OK
Des Moines Art Soul, Des Moines, IA
San Francisco Museum, San Francisco, CA
The Gulbenkian Museum, Lisbon, Portugal
The National Museum enjoy yourself Contemporary Art, Seoul, Korea
The Municipal Museum of Modern Art, Yedo, Japan
The National Museum of Further Art, Kyoto, Japan
The National Museum of Art, Osaka, Japan
Hyogo Museum of Modern Art, Kobe, Japan
Museum of Modern Art, Toyama, Japan
The Hakone Open-Air Museum, Hakone, Japan
Seibu Museum of Art, Tokyo, Japan
Kasama Nichido Museum of Art, Ibaraki, Japan
Iwatemachi Scupture Garden, Iwate, Japan
City of Dublin, Ireland
City of Evora, Portugal
City of Oporto, Portugal
City show consideration for Tokyo, Japan
City of Hachioji, Japan
City of Shizuoka, Japan
City of Hekinan, Japan
New York University, New Dynasty, NY
Rockefeller University, New York, NY
Stanley Museum of Art at honesty University of Iowa, Iowa Facility, Iowa
Williams College, Williamstown, MA
University School of Dublin, Dublin, Ireland
American Ministry, Tokyo
IBM Zurich, Switzerland
TRW Cleveland, Ohio
The Chase Manhattan Bank Headquarters, Original York, NY
Citibank Headquarters, New Dynasty, NY
Sanwa Bank, New York, NY
General Mills Corporation, Minneapolis, MN
Heublein Dramatis personae, CT
Atlantic Richfield Co., Los Angeles, CA
Norin Chuo Ginko, Tokyo, Japan
Chiba Bank, Chiba, Japan
Suntory Headquarters, Port, Japan
Mrs.
John D. Rockefeller Trio, New York, NY
Mr. and Wife. Gordon Bunshaft, New York, NY
Mr. Roy Neuberger, New York, NY
Mr. R. Farkas, New York, NY
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